REVIEW: Morah – #006 (Vanila VNL 006 – 2017)

The sixth release on Greek label Vanila offers a hefty dose of wild rituals from Morah’s distorted mind. With sluggish but hammering percussion, Greek madman delivers a rhythmic noise masterclass with plenty of obscured vocal samples. Unless you are in favour of ultra-slow versions, the vinyl has to be played at 45 RPM and even then it tends to insist a higher pitch. The tempo is actually a secondary issue because of vast amount of roughness found in the record. The A-side’s “Arpyies” is about savage, chugging rhythm and abnormal moaning from the mouth of creatures on GMO diet and […]

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REVIEW: Erik Van Den Broek – Expressed (De:tuned ASG/DE014 – 2017)

Shiver Records from Haarlem, Netherlands was one of the furious labels in the nineties and techno mag Frontpage suspected there could have been a high level of acid contamination in the city’s drinking water. It tells a thing about Erik van den Broek who was behind the label and the project called Shiver. Actually he ran a few dozens of monikers, his acid project Essit Muzique being another one that has caught my attention. So much about the history: Van den Broek’s comeback on the Belgian retro-minded outlet De:tuned offers unreleased material where the nineties are presented from a different […]

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REVIEW: Saint Abdullah – The Sounds Of Evil Volume 1 (Boomarm Nation / 7″ BOOMARM14 – 2017)

Saint Abdullah, a project by two US-Iranian brothers, was introduced to the world with the track “Mossadegh’s Revenge For 52” on Boomarm Nation’s spectacular “Family Album 2017”, a digital compilation from the experimental side of dub and world music. Prior to that, the duo had promised intense cross-cultural experience with some Soundcloud uploads and now Mohammad and Mehdi have completed their first album in digital and cassette format, accompanied by a seven-inch vinyl sampler on Boomarm, a label from Portland, Oregon. History and religion are important sources of inspiration for Saint Abdullah who are based in Brooklyn and Tehran, and if […]

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REVIEW: 400PPM – Fit For Purpose (Avian AVNLP004 – 2017)

Shawn O’Sullivan aka 400PPM lets the listener to decide the purpose of his new album. All eleven cuts are far from abstract, dark noisescapes often heard on Avian in recent times but it’s not a pure ‘dance’ album either when predominant modular monotony is topped with multiple layers and references to the decades of electronic music history. When bearing in mind the floor factor, suitable picks are “Metabolic Grift” with processed voice on a shuffled thud, which would appeal to an apache in astral mode and “8.069” that sounds like a tribute to Nitzer Ebb. For heavier, Pan Sonic-type crusher “Sintered Bauxite” is a choice. Of different […]

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