REVIEW: /DL/MS/ – Rogue Intent (TRUST29 – 2017)

TRUST from Vienna calling with “Rogue Intent” when Dan Lodig, who was behind last year’s Lok44 EP, returns to the label with Martin Sovinz under the project name /DL/MS/. TRUST is regarded as electro outlet and while the duo is not going to dispute its style preferences, their peculiar view on combining mechanical beats and voice samples offers a few surprising, quality moments. Inheriting some elements from IDM, the rather lingering opener “Indisciplinado” is difficult to categorise when it travels from artsy surroundings to sticky bars with hardly audible background voices. The next track “Yep” starts with hollow medieval drumming and Oriental strings […]

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REVIEW: Galaxian – Blowback (Foul-Up DOWN3 – 2017)

This has been waiting to happen, a truly remarkable release on Foul-Up, a Danish-run label from Berlin that launched in 2016 with “Limerence EP” by Misantrop, a project by the label founder Nicolai Vesterkær Krog. After a LP from Metalized Man earlier this year, the third release of the label keen to explore the electronic fringes enters the electro cluster with an eight-tracker from Galaxian, which is a mask-wearing alter ego of the UK producer Mark Kastner. Galaxian’s proven industrial take on the genre is reflected in the convulsive opener “Truth Seizure” and in abstract thrusts of “Parasitic Seduction”, sounding like a […]

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REVIEW: Yuji Kondo – Faces Past (10 Label TEN005 – 2017)

In this decade, Yuji Kondo has been one of Japanese techno illuminates, operating either under his own name, as Ducerey Ada Nexino or taking part in various collaborations, including Steven Porter – Kondo’s project with fellow countryman Katsunori Sawa, and not an actual person as I thought a while ago. To the present day we had to wait for Kondo’s first album that has now appeared on his and Sawa’s imprint 10 Label. Kondo’s LP is crafted with skill and intuition for sounds that are feeding the imagination. Entire album is placed under the veil of surrealism with only a few 4/4 […]

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REVIEW: Sebastian Reuschel – The World Is Shit (ZCKR14 – 2016)

With echoing creak, the door opens to the world of abandonment, spider webs covering a metronome that sets the pace towards the midnight. Diabolical noises are gradually growing to hardly digestible sonic oppression where the crudity has its certain charm. Fifteen minutes of the A-side’s “Exav 2B” are a tour de force of beatless dark ambient with suffocating drone passages, haunting overdrive effects and hollow whispers that make the mood-o-meter scraping the extremes. On the flip, “Dying Alone” is a wall of doom spanning over brain-challenging ten minutes with an abrupt end. Bremen’s ZCKR has become one of my permanent objects […]

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Sven Grünberg – Hingus (Bureau B BB 241LP – 1981/2016)

Sven Grünberg is real name of a real person and he is not a fictional Lufthansa engineer who secretly became electronic musician in the 1970s and appeared from the obscurity later. Grünberg, who turns 60 this November, was born in the Estonian capital Tallinn and cut his teeth in the local seventies bands Ornament and Mess, acting in the latter as composer, singer and instrumentalist. A graduate of a music college in Tallinn, Grünberg decided to become electronic musician in (then) Soviet Union where he was not a loner, if to recall from the previous generation Eduard Artemyev who wrote scores […]

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News: Fylkingen unearths text-sound series from the 1970s

Der Schaumreiter scheitert in einem Raum voll Scheiter. Vapeurs en fleurs vous lêtes tourbillons de gaz amoreux. These are two extracts from the poems of the Estonian-born multi-talent Ilmar Laaban who was primarily known for his surrealist and intense poetry but as an artist with the gift of music he was keen to explore the melodic side of his weird works in the form of so-called ‘häälutused’ (soundations). In 1998, a few years before his passing, Swedish label avant-garde label Fylkingen Records collected the works of Laaban who had found refuge in Sweden during the WWII and belonged to the country’s wild verse innovators through decades. Laaban also appeared […]

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DJ Spider & Phil Moffa – Madison Square Dungeon (Plan B Recordings PBR045 – 2016)

Established in 2008, Plan B Records is a true New York City powerhouse run by DJ Spider and Lola aka Dakini9 who have supplied many of the label’s releases. In the same, they have hosted a number of techno and (deep) house producers, if to recall only Amir Alexander who dropped wonderful deep house EP “Sonic Subversion” last year. DJ Spider, whose sound can be described ‘dirty’, spelled with admiration, has a penchant for collabs, either with Marshallito, Hakim Murphy or Franklin Da Costa, to name just a few, and for the catalogue number PBR045 the label frontman rejoins forces with NYC-based electronic musician Phil Moffa. […]

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Various – SEMANTICA 10.I / 10.II (2016)

Hard to believe that Semantica Records has been in business for a decade and even the previous milestone with the “Five Years Compilation” series feels like a recent event. Over the time, the label boss Svreca has managed to keep the touch despite of extensive catalogue and has attracted a stellar roster, virtually a Who’s Who of today’s techno. The label from Madrid has also played a major role for a minor thing called Terminal 313, because Svreca was among the very first label owners and artists who trusted my fledgling blog and shared information about the coming releases. Regular Terminal 313 […]

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Peder Mannerfelt – Controlling Body (Peder Mannerfelt PMLP002 – 2016)

No need to seek professional treatment when hearing voices in your head during the listening session of “Controlling Body”, because it’s part of the experience devised by Peder Mannerfelt for his mind-and-body-testing album. Processed human exclamations are the centrepiece in many compositions – Mannerfelt’s approach is one of a composer, not just producer – and the vocals, coming from Ms Cameron Mesirow aka Glasser are surrounded by a broad spectrum of sound variations. About half of the album is based on vocal-and-bass experiments that stand for the demanding side of the electronic music. It’s worth mentioning that hardly any of the tracks goes the predictable way, as […]

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Stig Inge – Bremen (ZCKR Records ZCKR11 – 2016)

Bremen’s ZCKR Records is fixated on the home turf with another set of urban impressions from the German port town. After a compilation and a single dedicated to the Grey City theme, it’s the turn of the label boss Sebastian Reuschel aka Sting Inge to produce an experimental score, for Bremen by night. The A-side’s aptly titled “The Sewer (Part I + II)” is a multi-phase track that firstly descends to the filthy depths of underground utilities. The plot is about grueling slow-hop pulled by metronomic chug and cogwheel friction, like a blurred take on T++ or Hidden Hawaii. The track’s second phase, after a hardly […]

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