REVIEW: Second Storey – Telekinesis Via Fax (TRUST30 – 2017)

From the border area of Norfolk and Suffolk arrives Houndstooth regular Alec Storey aka Second Storey, to continue TRUST’s impressive run of far-out electro releases. Not keen to duplicate purist, Drexciyan sound of the ongoing electro boom, the Austrian label is stubbornly searching its own way as heard on previous occasions and has found another good match with “Telekinesis Via Fax”. Second Storey’s formula consists of sturdy breaks and glitch elements, reminding of Schematic artists such as Push Button Objects or Phoenecia and robust beats of former Sativae offshoot Penalty. Yawning chords and typewriter sequence are carrying the hectic opener “Attack […]

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REVIEW: Morah – #006 (Vanila VNL 006 – 2017)

The sixth release on Greek label Vanila offers a hefty dose of wild rituals from Morah’s distorted mind. With sluggish but hammering percussion, Greek madman delivers a rhythmic noise masterclass with plenty of obscured vocal samples. Unless you are in favour of ultra-slow versions, the vinyl has to be played at 45 RPM and even then it tends to insist a higher pitch. The tempo is actually a secondary issue because of vast amount of roughness found in the record. The A-side’s “Arpyies” is about savage, chugging rhythm and abnormal moaning from the mouth of creatures on GMO diet and […]

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REVIEW: Saint Abdullah – The Sounds Of Evil Volume 1 (Boomarm Nation / 7″ BOOMARM14 – 2017)

Saint Abdullah, a project by two US-Iranian brothers, was introduced to the world with the track “Mossadegh’s Revenge For 52” on Boomarm Nation’s spectacular “Family Album 2017”, a digital compilation from the experimental side of dub and world music. Prior to that, the duo had promised intense cross-cultural experience with some Soundcloud uploads and now Mohammad and Mehdi have completed their first album in digital and cassette format, accompanied by a seven-inch vinyl sampler on Boomarm, a label from Portland, Oregon. History and religion are important sources of inspiration for Saint Abdullah who are based in Brooklyn and Tehran, and if […]

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REVIEW: /DL/MS/ – Rogue Intent (TRUST29 – 2017)

TRUST from Vienna calling with “Rogue Intent” when Dan Lodig, who was behind last year’s Lok44 EP, returns to the label with Martin Sovinz under the project name /DL/MS/. TRUST is regarded as electro outlet and while the duo is not going to dispute its style preferences, their peculiar view on combining mechanical beats and voice samples offers a few surprising, quality moments. Inheriting some elements from IDM, the rather lingering opener “Indisciplinado” is difficult to categorise when it travels from artsy surroundings to sticky bars with hardly audible background voices. The next track “Yep” starts with hollow medieval drumming and Oriental strings […]

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REVIEW: Galaxian – Blowback (Foul-Up DOWN3 – 2017)

This has been waiting to happen, a truly remarkable release on Foul-Up, a Danish-run label from Berlin that launched in 2016 with “Limerence EP” by Misantrop, a project by the label founder Nicolai Vesterkær Krog. After a LP from Metalized Man earlier this year, the third release of the label keen to explore the electronic fringes enters the electro cluster with an eight-tracker from Galaxian, which is a mask-wearing alter ego of the UK producer Mark Kastner. Galaxian’s proven industrial take on the genre is reflected in the convulsive opener “Truth Seizure” and in abstract thrusts of “Parasitic Seduction”, sounding like a […]

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REVIEW: Yuji Kondo – Faces Past (10 Label TEN005 – 2017)

In this decade, Yuji Kondo has been one of Japanese techno illuminates, operating either under his own name, as Ducerey Ada Nexino or taking part in various collaborations, including Steven Porter – Kondo’s project with fellow countryman Katsunori Sawa, and not an actual person as I thought a while ago. To the present day we had to wait for Kondo’s first album that has now appeared on his and Sawa’s imprint 10 Label. Kondo’s LP is crafted with skill and intuition for sounds that are feeding the imagination. Entire album is placed under the veil of surrealism with only a few 4/4 […]

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REVIEW: Sebastian Reuschel – The World Is Shit (ZCKR14 – 2016)

With echoing creak, the door opens to the world of abandonment, spider webs covering a metronome that sets the pace towards the midnight. Diabolical noises are gradually growing to hardly digestible sonic oppression where the crudity has its certain charm. Fifteen minutes of the A-side’s “Exav 2B” are a tour de force of beatless dark ambient with suffocating drone passages, haunting overdrive effects and hollow whispers that make the mood-o-meter scraping the extremes. On the flip, “Dying Alone” is a wall of doom spanning over brain-challenging ten minutes with an abrupt end. Bremen’s ZCKR has become one of my permanent objects […]

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Sven Grünberg – Hingus (Bureau B BB 241LP – 1981/2016)

Sven Grünberg is real name of a real person and he is not a fictional Lufthansa engineer who secretly became electronic musician in the 1970s and appeared from the obscurity later. Grünberg, who turns 60 this November, was born in the Estonian capital Tallinn and cut his teeth in the local seventies bands Ornament and Mess, acting in the latter as composer, singer and instrumentalist. A graduate of a music college in Tallinn, Grünberg decided to become electronic musician in (then) Soviet Union where he was not a loner, if to recall from the previous generation Eduard Artemyev who wrote scores […]

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News: Fylkingen unearths text-sound series from the 1970s

Der Schaumreiter scheitert in einem Raum voll Scheiter. Vapeurs en fleurs vous lêtes tourbillons de gaz amoreux. These are two extracts from the poems of the Estonian-born multi-talent Ilmar Laaban who was primarily known for his surrealist and intense poetry but as an artist with the gift of music he was keen to explore the melodic side of his weird works in the form of so-called ‘häälutused’ (soundations). In 1998, a few years before his passing, Swedish label avant-garde label Fylkingen Records collected the works of Laaban who had found refuge in Sweden during the WWII and belonged to the country’s wild verse innovators through decades. Laaban also appeared […]

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DJ Spider & Phil Moffa – Madison Square Dungeon (Plan B Recordings PBR045 – 2016)

Established in 2008, Plan B Records is a true New York City powerhouse run by DJ Spider and Lola aka Dakini9 who have supplied many of the label’s releases. In the same, they have hosted a number of techno and (deep) house producers, if to recall only Amir Alexander who dropped wonderful deep house EP “Sonic Subversion” last year. DJ Spider, whose sound can be described ‘dirty’, spelled with admiration, has a penchant for collabs, either with Marshallito, Hakim Murphy or Franklin Da Costa, to name just a few, and for the catalogue number PBR045 the label frontman rejoins forces with NYC-based electronic musician Phil Moffa. […]

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