Minimum Syndicat – Zenosyne EP (Tripalium Records TRIP004 – 2017)

“Zenosyne EP” is a rave-minded gust from Tripalium, which is a renowned yellow smiley brotherhood from France and steadily providing vitriolic noise for the floors. The fourth release within the Tripalium Records Rave Series sees Minimum Syndicat in the controls, a French collective that has been around for almost ten years and running also own self-titled label. The ethereal intro of “Seasaw” makes to anticipate a flying saucer touchdown. Once arrived, the greetings are expressed with squelching acid lines and eerie horns. Similarly themed “Kenopsia” sees semi-human creatures rushing over the fields, spurred by bittersweet hoover stabs. Obscure forces enter […]

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REVIEW: Special Request – Curtain Twitcher (Houndstooth HTH081 – 2017)

Fabric’s offshoot Houndstooth has brought to us knockout tracks from Paul Woolford aka Special Request. The A-side of the clear vinyl goes straight to the business with sweeping opener “Curtain Twitcher” where vitriolic braindance riffs are crashing into naughty hoover bursts. Bass-heavy stepper “Emutraxx” is saturated with quirky acid lines and Nosey Parker’s remix of the title cut keeps the noise level high with nasty synth riffs in Terence Fixmer style. After big beat-ish groover “Trippethylophosphazene”, the pace and mood changes when “No Phone Calls” revitalises slow rave atmosphere with grumbling sub-bass and vocal samples. Another treat is Peder Mannerfelt’s […]

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REVIEW: Harmonious Thelonious – Ayranman EP (Disk disk12 – 2017)

In 2017, Stefan Schwander has returned to the limelight with his Harmonious Thelonious project, when new releases have appeared on Kontra-Musik, Versatile and most recently on The Trilogy Tapes. “Ayranman EP” was published already in the summer and it marks the artist’s return to the Düsseldorf label Disk, formerly known as Diskant. For Schwander, who has worked under Antonelli Electr. and Rhythm Maker monikers, it’s home turf because Diskant was set up by him and two artist friends, Marc Matter and Florian Meyer, who all together are performing as The Durian Brothers. Subtropical rhythmic noise has been the label’s signature […]

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Terminal 313 mix for Kopli.live (August 4, 2017 at Sinilind, Tallinn)

From grime and house to techno and Balearic – the Kopli.live project was initiated in Tallinn this winter by DJ JFL to bring together music lovers who are ready to drop their favourites in public recording sessions at different locations in the city. By today, over 40 sets have been taped when after the summer break selectors like Endamisi Salamisi (Isaiah Tapes, Trash Can Dance), Leiner & Kalvik (Lejal Genes) and Terminal 313 got together to Cafe Sinilind. In my mix, I wanted to present some new tunes that have caught my attention, as well as some classic tracks from the […]

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Terminal 313 Juno chart: July 2017

Terminal 313 Juno chart: July 2017 HARMONIOUS THELONIOUS – Ayranman EP Conan O’DONNELL – Underground Psychosis EP SECOND STOREY – Telekinesis Via Fax Keith TUCKER – Detroit Saved My Soul SAINT ABDULLAH – The Sounds Of Evil: Volume One DJ STINGRAY/VARIOUS – Kern Vol 4 BULKHEAD – Lunch Truck EP SYNC 24/PRIVACY/DEFEKT – Split Excursions Vol 1 PHILUS aka MIKA VAINIO – Kolmio EP VARIOUS – Unruhe Terrence DIXON – Like A Thief In The Night EP VARIOUS – Rave Or Die 08 SCAN 7 – Burdens Down LAKSA – Camo Cari LEKEBUSCH – Knowledge

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REVIEW: Second Storey – Telekinesis Via Fax (TRUST30 – 2017)

From the border area of Norfolk and Suffolk arrives Houndstooth regular Alec Storey aka Second Storey, to continue TRUST’s impressive run of far-out electro releases. Not keen to duplicate purist, Drexciyan sound of the ongoing electro boom, the Austrian label is stubbornly searching its own way as heard on previous occasions and has found another good match with “Telekinesis Via Fax”. Second Storey’s formula consists of sturdy breaks and glitch elements, reminding of Schematic artists such as Push Button Objects or Phoenecia and robust beats of former Sativae offshoot Penalty. Yawning chords and typewriter sequence are carrying the hectic opener “Attack […]

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REVIEW: Morah – #006 (Vanila VNL 006 – 2017)

The sixth release on Greek label Vanila offers a hefty dose of wild rituals from Morah’s distorted mind. With sluggish but hammering percussion, Greek madman delivers a rhythmic noise masterclass with plenty of obscured vocal samples. Unless you are in favour of ultra-slow versions, the vinyl has to be played at 45 RPM and even then it tends to insist a higher pitch. The tempo is actually a secondary issue because of vast amount of roughness found in the record. The A-side’s “Arpyies” is about savage, chugging rhythm and abnormal moaning from the mouth of creatures on GMO diet and […]

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REVIEW: Erik Van Den Broek – Expressed (De:tuned ASG/DE014 – 2017)

Shiver Records from Haarlem, Netherlands was one of the furious labels in the nineties and techno mag Frontpage suspected there could have been a high level of acid contamination in the city’s drinking water. It tells a thing about Erik van den Broek who was behind the label and the project called Shiver. Actually he ran a few dozens of monikers, his acid project Essit Muzique being another one that has caught my attention. So much about the history: Van den Broek’s comeback on the Belgian retro-minded outlet De:tuned offers unreleased material where the nineties are presented from a different […]

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REVIEW: Saint Abdullah – The Sounds Of Evil Volume 1 (Boomarm Nation / 7″ BOOMARM14 – 2017)

Saint Abdullah, a project by two US-Iranian brothers, was introduced to the world with the track “Mossadegh’s Revenge For 52” on Boomarm Nation’s spectacular “Family Album 2017”, a digital compilation from the experimental side of dub and world music. Prior to that, the duo had promised intense cross-cultural experience with some Soundcloud uploads and now Mohammad and Mehdi have completed their first album in digital and cassette format, accompanied by a seven-inch vinyl sampler on Boomarm, a label from Portland, Oregon. History and religion are important sources of inspiration for Saint Abdullah who are based in Brooklyn and Tehran, and if […]

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REVIEW: 400PPM – Fit For Purpose (Avian AVNLP004 – 2017)

Shawn O’Sullivan aka 400PPM lets the listener to decide the purpose of his new album. All eleven cuts are far from abstract, dark noisescapes often heard on Avian in recent times but it’s not a pure ‘dance’ album either when predominant modular monotony is topped with multiple layers and references to the decades of electronic music history. When bearing in mind the floor factor, suitable picks are “Metabolic Grift” with processed voice on a shuffled thud, which would appeal to an apache in astral mode and “8.069” that sounds like a tribute to Nitzer Ebb. For heavier, Pan Sonic-type crusher “Sintered Bauxite” is a choice. Of different […]

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