REVIEW: Porter Ricks – Anguilla Electrica (Tresor Records TRESOR295 – 2017)

Several hours of dub techno exposure at an abandoned anti-aircraft base was not enough in a white summer night that now lies about 17 years behind. When driving home from the party at the daybreak, Porter Ricks’ album “Biokinetics” was the perfect choice to keep the vibe of a dark gigantic hangar, with “Nautical Dub”, “Port Of Gentil” and other tracks that had helped to immortalise Chain Reaction in the electronic music industry. About 17 years later, dub techno overlords Thomas Köner and Andy Mellwig are returning to the LP format to quench the thirst for deep, crackling textures. Being Porter Ricks and announcing a new album after a longer […]

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REVIEW: /DL/MS/ – Rogue Intent (TRUST29 – 2017)

TRUST from Vienna calling with “Rogue Intent” when Dan Lodig, who was behind last year’s Lok44 EP, returns to the label with Martin Sovinz under the project name /DL/MS/. TRUST is regarded as electro outlet and while the duo is not going to dispute its style preferences, their peculiar view on combining mechanical beats and voice samples offers a few surprising, quality moments. Inheriting some elements from IDM, the rather lingering opener “Indisciplinado” is difficult to categorise when it travels from artsy surroundings to sticky bars with hardly audible background voices. The next track “Yep” starts with hollow medieval drumming and Oriental strings […]

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REVIEW: Galaxian – Blowback (Foul-Up DOWN3 – 2017)

This has been waiting to happen, a truly remarkable release on Foul-Up, a Danish-run label from Berlin that launched in 2016 with “Limerence EP” by Misantrop, a project by the label founder Nicolai Vesterkær Krog. After a LP from Metalized Man earlier this year, the third release of the label keen to explore the electronic fringes enters the electro cluster with an eight-tracker from Galaxian, which is a mask-wearing alter ego of the UK producer Mark Kastner. Galaxian’s proven industrial take on the genre is reflected in the convulsive opener “Truth Seizure” and in abstract thrusts of “Parasitic Seduction”, sounding like a […]

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Techno promos: black., Konstrukt, Subapical, Taapion

J. Lydén – 4.44 (black008 – 2017) A strong release from black., a label run by Albert Williams who drops a remix for the EP by J.Lydén, a Finnish newcomer with a sound close to fellow hardliners Tuomas Rantanen and Boner M. In “4.44”, the highlight is Judas’s supercharged dash with stinging stabs hinting to Mike Parker.     Svreca & Retina.it / Nuel – KONSTRUKT 005 (KON005 – 2017) Spanish-Italian connection on the Dutch imprint Konstrukt where Svreca’s and Retina.it’s collabs offer simple, ethereal functionality with machine whispers. On the other side, Nuel’s “Luna” is a more granular affair touched […]

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REVIEW: Yuji Kondo – Faces Past (10 Label TEN005 – 2017)

In this decade, Yuji Kondo has been one of Japanese techno illuminates, operating either under his own name, as Ducerey Ada Nexino or taking part in various collaborations, including Steven Porter – Kondo’s project with fellow countryman Katsunori Sawa, and not an actual person as I thought a while ago. To the present day we had to wait for Kondo’s first album that has now appeared on his and Sawa’s imprint 10 Label. Kondo’s LP is crafted with skill and intuition for sounds that are feeding the imagination. Entire album is placed under the veil of surrealism with only a few 4/4 […]

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REVIEW: Black Merlin – Proto World EP (Berceuse Heroique BH036 – 2017)

In its beginnings, Berceuse Heroique (BH) looked like an adolescent rebel aimed at shocking everyone around. In addition to sowing disorder with harsh, nonconformist sounds the London label was notorious for provocative visuals that went beyond any taste. Still it feels quite the same when – after a break since Marco Bernardi’s hypnotic “The Dancing Clowns” – I’ve added two new BH releases to my collection. The sleeve art of Black Merlin’s “Proto World” – a long EP with over 25 minutes of playtime – sets the tone for the opening title track, which is ghastly enough to imagine a […]

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Bandcamp ambient picks: Horsetail, Jari Pitkänen, Øyvind Juel

Horsetail Horsetail from the UK are ‘makers of noisy outer space music’ from the abstract side of ambient and drone, which is well reflected in the title track and in “The Wound That Never Heals”. If to imagine it as a vinyl, the “B-side” turns out as the winner: distorted creeper “His Terrible Heart” would appeal to techno DJs and “Cloak” is a minimalist ballad for the mountaineers in base camp. Hollow Sea by Horsetail Jari Pitkänen Finnish artist Jari Pitkänen boasts a large back catalogue based on ambient experimentations with Roland MC-303. Of his recent navigations in stellar dust, the […]

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The best of 2016 in a mix

Tracklist Sven Grünberg – Hingus, I Osa (Мелодия / Bureau B) David Morley – Presto (De:tuned) Ioannis Savvaidis – IBM 2870 (Lower Parts) Puto Anderson – Domingo de Paz (Príncipe) Eomac – Same Heart, Same Breath, Same Life, Same Death (Bedouin Trax) Tanzania Soundsystem – Ngono Kijiji (Highlife) Reade Truth – OMM 0910 (Path Records) Population One – Detroit City At Night (Metroplex) Gut Nose – Enjoy Thy Flesh (Styles Upon Styles) Nikolajev – Live Cut (Mutant Disco) (Collect-Call) CT Trax – Toxic (Dixon Avenue Basement Jams) Brassica – Wryders (Feel My Bicep) Kareem – Meyrink (Noiztank) Mumm – Cell […]

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Techno promos: Clouds, Gravity Disturbance, Peder Mannerfelt, Squaric

          Clouds – HTID: Heaven-sent Tekno Impakting Dancefloors, or Hardcore Till I Die (Electric Deluxe EDLX053) Release date: May 2017 For me, Electric Deluxe’s output has remained unnoticed recently but the Scottish techno tandem Clouds restores my faith with a strong double pack that will be published on the same day when the label’s Warehouse Edition 2016 closing event takes place in Amsterdam. The A-side is about techno rage when Clouds are conducting a thorough body check with two hammering tracks, “Dinner At Skinja’s” being a real ‘mardröm’ of the two. The B-side comes with breakbeat hardcore and sort of post-dubstep weirdness (“Fallout”,”Floatation […]

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REVIEW: Sebastian Reuschel – The World Is Shit (ZCKR14 – 2016)

With echoing creak, the door opens to the world of abandonment, spider webs covering a metronome that sets the pace towards the midnight. Diabolical noises are gradually growing to hardly digestible sonic oppression where the crudity has its certain charm. Fifteen minutes of the A-side’s “Exav 2B” are a tour de force of beatless dark ambient with suffocating drone passages, haunting overdrive effects and hollow whispers that make the mood-o-meter scraping the extremes. On the flip, “Dying Alone” is a wall of doom spanning over brain-challenging ten minutes with an abrupt end. Bremen’s ZCKR has become one of my permanent objects […]

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