Klankman – Illumination Through Feedback Distortion EP (Details Sound DTLSND007 – 2016)

Klankman’s opening statement appeared in 2014 when Maarten Epskamp joined the ranks of The Hague’s legendary label Bunker. After the debut and the following EP on Tar Hallow, Klankman moves ahead on the road to the heart of rough acid scene, with a release on the Milan label Details Sound, run and founded by Giuseppe Magistro and Matteo Fabbri. The three-tracker “Illumination Through Feedback Distortion” is another trespassing to the lands of machine-driven mutations, whereas the title track could by easily filed under ‘experimental noise’. It challenges the perception of Klankman serving primarily the floor, because sunken in distortion and dissonances, the track sounds off-sync […]

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Ten train tracks

The following playlist could be extended by Moroder’s “Midnight Express”, The Farm’s “Groovy Train”, Kadoc’s “The Nighttrain” or even Soul Asylum’s “Runaway Train”, but this is my selection of ten train-themed tracks, spanning from experimental sounds to italo disco. What I noticed is that mid-1990s new generation Chicago producers were pretty obsessed about railway themes and they are represented with a couple of tracks (thought about adding BMC’s “Loco Motion” too). Feel free to add your suggestions to the comments below. Chris Watson – El Divisadero (The Telegraph) (Touch) After a CD album with field recordings made in Mexico, Cabaret Voltaire’s founding member Watson issued […]

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Stig Inge – Bremen (ZCKR Records ZCKR11 – 2016)

Bremen’s ZCKR Records is fixated on the home turf with another set of urban impressions from the German port town. After a compilation and a single dedicated to the Grey City theme, it’s the turn of the label boss Sebastian Reuschel aka Sting Inge to produce an experimental score, for Bremen by night. The A-side’s aptly titled “The Sewer (Part I + II)” is a multi-phase track that firstly descends to the filthy depths of underground utilities. The plot is about grueling slow-hop pulled by metronomic chug and cogwheel friction, like a blurred take on T++ or Hidden Hawaii. The track’s second phase, after a hardly […]

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Various – Visions Vol. II (Blackwater Label BWD004 – 2016)

Since the vinyl debut in 2014, London-based and Italian-run Blackwater Label has put out several releases, trying to get a foothold in the overly competitive techno section. With reasonable success, if to mention Lamanna & Fire At Work’s EP from the better end of acid techno or sturdy club tools by Subion. “Visions Vol. II” is Blackwater’s second digital compilation, of which a small quantity is released on CD, and besides aforementioned artists it mostly belongs to new acquaintances. Sub-headline ‘post-Balearic sound from the center of the universe’ reflects the compilation’s leisure factor and a couple of tunes can fit the playlists of prosecco lounges. The […]

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TECHNO TALK: Gaja (Ophism, Repitch)

After Gaja’s recent release on Ophism, Terminal 313 invited the Berlin-based producer to some questions. What came out is an interesting peek into the mind of the talented Italian. Q: You debuted in 2013 on Repitch, with a fiery EP, which was in line with the label’s sound. But still, why did you choose Repitch (or did they choose you)? Gaja: Mr Chimenti introduced me to Pasquale [Ascione] and Davide [Carbone]. We became quickly really close friends and one day, when Davide and Pasquale where at my place, I told to them ‘try to listen this shit that I recorded’. I […]

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2015 wrap-up: Part Two

The second part of Terminal 313’s musical alphabet, to sum up the year 2015. Many of the entries have been covered in the blog posts and some of the mentions are about my long-time favourites who had a strong year.   Murder Capital. Cult electro label from the Hague, nowadays squatted by Gesloten Cirkel which put out two massive EPs last year.   Never On Sunday. The Burden brothers aka Octave One completed a new album in 2015 and simultaneously turned their eyes to the history. Among a couple of reissues of the 430 West classics, N.O.S.’s “Day By Day” was […]

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2015 wrap-up: Part One

This is Terminal 313’s musical alphabet to sum up the year 2015. Many of the entries have been covered in the blog posts and some of the mentions are about my long-time favourites who had a strong year. PART ONE: FROM A TO L Ancient Methods. The year of industrial techno’s genre-defining artist culminated with the new moniker Room 506 and “Red Embers”, my favourite track of the year.   Bernardi, Marco. Climbing to the consciousness of a wider audience, the UK producer excelled in 2015 with electro roughness on Brokntoys and dancing clowns on Berceuse Heroique.   Clarence G. After recent Drexciya reissues, the […]

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DUST OFF: The best of 2005

The pressure is mounting for the end-of-the-year lists. It’s not an easy task when every week brings dozens of releases tagged as ‘unmissable’, ‘lethal’, ‘timeless’, and many of them are that, working well either in clubs or at home. The question is, which tracks are real survivors that will be applauded several years later. Judgement about the music’s lasting effect requires distance in time and space. This is why I selected fifteen survivors from my own collection to uncork well-matured 2005 produce, from the year that stood for the epidemic spread of minimal and emergence of grime/dubstep. But there was a lot more and as you […]

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Terminal 313 Mix: Promos & Classics Vol. 5 (November 2015)

The tracklist with buy links: ADMX-71 – Phenomenalist (L.I.E.S.) As If – Nærvær (Silent Season) Nautil – Galdae (Further Records) Marco Bernardi – The Dancing Clowns (Berceuse Heroique) 3rd Face – Canto Della Liberta (Classic) I.B.M. – Bless The Mission And Toil (Interdimensional Transmissions) Liaisons Dangereuses – Dias Cortas (D.I.R.T.Y.) Hüpnosaurus – Muru (Bookworms Remix) (Wicked Bass) Tom Dicicco – We Let Go (Off Minor) Mistake Made – Convenient (Vault Series) Mark Verbos – Start Up Drive (Bunker New York) Oudeis – Phantom Melodies (Trash Can Dance) DJ ?Not – Race You To Hell (Hotel Lotte) Israel Vines – Relapse […]

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Hüpnosaurus – Where Am I? (Wicked Bass WB017 – 2015)

It would be unthinkable to speak about Estonian electronic music without saying a word about Hüpnosaurus (or Hypnosaurus), a project launched by Aivar Tõnso in the beginning of the 1990s and later co-run with Raul Saaremets, nowadays known as Ajukaja. Initially a live act of Tõnso and Railo Pals, Hüpnosaurus became an institution for synthetic sounds in Estonia, throwing impressive live gigs over the years at various locations and performing as a DJ team called Hypnitro Soundsystem. The musical inspiration tracks back to Tõnso’s early age, when he got interested in electronic sounds and sci-fi fantasies, which all led to […]

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