DUST OFF: Top 15 electronic tracks from 1997 (Part 2)

The second part of what is becoming a tradition: After listing my favourites from 2005 and from 1996, the time is ripe for another end of the year selection from the archives. The first part is here.    Silicon – 4 L.L. (Vmax Records) In 1997, Vmax founder Heath Brunner released under his electro alias a double pack with guest appearance from the producer Lowsh. After a period of supplying the fans with warehouse finds only, the label is making a comeback now.   Smyglyssna – Insvept I Papper (Plug Research) The US West Coast label stood mostly for abstract techno […]

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Ten Harthouse tracks: Many faces of a ground-breaking label

Revivals are happening all the time and it’s difficult to say when one ends and another begins. However in 2017, there are some signs of trance factor making a return to the floor. Thus it’s time to recall the glory days of Harthouse, a Frankfurt label founded in 1992 by Heinz Roth, Sven Väth and Matthias Hoffmann, that essentially shaped ‘hard trance’ movement but explored other directions too. It’s difficult to remain limited to only ten tracks because in addition to the artists mentioned below, Metal Masters, Resistance D, Braincell, Jiri Ceiver and others had their highlights too. Today a […]

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REVIEW: Various – Unruhe (Enfant Terrible ET048/Gooiland 27 – 2017)

Enfant Terrible offshoot Gooiland Elektro comes with sweeping cuts between distorted techno and acid, from four artists who like it raw. Out since April this year, “Unruhe” is a loud compilation that begins with “Endzone” from Zarkoff, a Croatian artist whose machine escapades are reaching Ekman’s levels. Thereafter Roberto Auser, mostly known as retro italo artist, drops piercing stomper “Acidmother”. Justyna Banaszczyk aka FOQL from Poland is a new name to me but her crunchy “Certainly Not” is a robust experience with repetitive female samples. The best comes for the last: Jacob Slofstra aka The Untitled “Sleep Paralysis” hits with […]

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Terminal 313 Juno chart: July 2017

Terminal 313 Juno chart: July 2017 HARMONIOUS THELONIOUS – Ayranman EP Conan O’DONNELL – Underground Psychosis EP SECOND STOREY – Telekinesis Via Fax Keith TUCKER – Detroit Saved My Soul SAINT ABDULLAH – The Sounds Of Evil: Volume One DJ STINGRAY/VARIOUS – Kern Vol 4 BULKHEAD – Lunch Truck EP SYNC 24/PRIVACY/DEFEKT – Split Excursions Vol 1 PHILUS aka MIKA VAINIO – Kolmio EP VARIOUS – Unruhe Terrence DIXON – Like A Thief In The Night EP VARIOUS – Rave Or Die 08 SCAN 7 – Burdens Down LAKSA – Camo Cari LEKEBUSCH – Knowledge

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REVIEW: The Mover – Selected Classics: Remastered 2017 (BOIDAE 002 / Planet Phuture – 2017)

The year 2017 without a release from Marc Trauner aka Marc Acardipane would have been utterly disappointing, because under his guidance the significance of 2017 for Planet Core Productions brotherhood was spelled out already decades ago when German hardcore was born in Frankfurt area. Now Trauner’s double pack under The Mover moniker has landed on Berlin’s Killekill sublabel Boidae, in association with the artist’s Planet Phuture platform. As the album title says, instead of new material the celebrations take place with remastered versions of The Mover’s finest moments, collected from the artist’s golden era from the 1991 debut “Frontal Sickness Part 1” up […]

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DUST OFF: Various – See Ya In 2017 (Dance Pool – 1992)

Before the year 2017 breaks out, it’s time for a blast from the past that brings us to the present day. To start from the beginning, in 1991 I was pretty sure that techno can’t get much harder than Holy Noise, Interactive, Marusha, Channel X, T99, etc., because I wasn’t aware of what was happening in Detroit or Chicago and didn’t connect Baby Ford’s “Children Of The Revolution” to the acid house boom that had swept over the UK. This belief lasted to the very moment I heard for the first time Mescalinum United‘s “We Have Arrived”, which initially came out […]

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DUST OFF: VCF – Neon EP (Magnetic North magnet 005 – 1993)

Since early nineties, Russ Gabriel has been a driving force of the UK techno scene. He’s mostly known as the founder of Ferox Records, a label that is still around after more than two decades and just released Cottam’s new EP. Latest addition to Gabriel’s own immense catalogue was a recent split twelve with Steevio and it’s even difficult to count all his works under various guises. While Ferox mostly represented intelligent and in good sense funky techno, Gabriel’s own tracks spanned to harsher sounds too. A good example is “Neon EP” from 1993 under the VCF moniker on Dave Clarke’s Magnetic North, a label that has […]

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Techno promos: –Story, /beyond/, D.Carbone, Zanias

Picked some releases from the promo folder to highlight those that have caught my attention.           –Story – Object EP (Koepel-I) Release date 26/09/2016 Along with cryptic spelling comes an exciting artist and label debut with deep house inclined tracks that make good use of bouncy drums and distortion the Rezzett way (“001”). A spontaneous fifer joins the dubby undercurrents in “002” and Planet E type majestic chords appear in “003”. /beyond/ – Now I See There’s Light (Urban Legend UL 002) Release date 25/09/2016 After having a track on Urban Legend’s inaugural various artists release “Phobos” […]

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Mix: Barely Under 140 BPM Vol. 2

About two years ago I fiddled around with my old school favourites from the ’90s for a mix called “Barely Under 140 BPM”. Now it’s time for the second edition, which includes tracks from German hardcore labels, such as PCP, Labworks, Super Special Corp., from US outlets Drop Bass Network and Temple Records N.Y.C., as well as from the UR. Coming to the present day, Earwiggle, Ophism, 3TH Records and ZCKR are on board this time. If you prefer a faster and darker approach, then the next stop is Shawn O’Sullivan’s (400PPM, Vapauteen) mix for Secret Thirteen.       “Barely Under 140 BPM Vol.2” tracklist: 1. […]

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Ten f*ck tracks

We can’t speak of the ‘fuck’ shortage in the music around us, as there are about 50,000 related hits in Discogs. Although the word itself is not enough for rebellion, the artists feel often tempted to see ‘fuck’ as a way to self-expression, which has led to a number of tracks balancing between the good and the bad taste, more the latter. Obviously, ballads are not the genre where we should look around while music breeds like punk and hardcore or ghetto and booty bass provide a lot of thematic material. The following selection represents mostly artists and labels I can recall from earlier days. Something […]

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