NEW INDUSTRIAL TECHNO: Ancient Methods, Headless Horseman, Rory St John

Ancient Methods ‎– The Asking Breath Comes To Each (Candela Rising CAN008 – 2017) (Guest) vocals in a sampled form are not so uncommon in Ancient Methods releases, if to recall tracks under the Room 506 moniker and for Metaphysik. In the debut for Candela Rising, four acts are contributing to the industrial beats with human voice, beginning with the shouting fairy Zohra Atash from Azar Swan in “Swallow Screw” and raspy intervention by Huren in “The Standards Will Come And Go”. After A-side’s straight industrial takeoff with dark wave elements, the other side adds some dreamy notes in “It […]

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REVIEW: Morah – #006 (Vanila VNL 006 – 2017)

The sixth release on Greek label Vanila offers a hefty dose of wild rituals from Morah’s distorted mind. With sluggish but hammering percussion, Greek madman delivers a rhythmic noise masterclass with plenty of obscured vocal samples. Unless you are in favour of ultra-slow versions, the vinyl has to be played at 45 RPM and even then it tends to insist a higher pitch. The tempo is actually a secondary issue because of vast amount of roughness found in the record. The A-side’s “Arpyies” is about savage, chugging rhythm and abnormal moaning from the mouth of creatures on GMO diet and […]

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REVIEW: 400PPM – Fit For Purpose (Avian AVNLP004 – 2017)

Shawn O’Sullivan aka 400PPM lets the listener to decide the purpose of his new album. All eleven cuts are far from abstract, dark noisescapes often heard on Avian in recent times but it’s not a pure ‘dance’ album either when predominant modular monotony is topped with multiple layers and references to the decades of electronic music history. When bearing in mind the floor factor, suitable picks are “Metabolic Grift” with processed voice on a shuffled thud, which would appeal to an apache in astral mode and “8.069” that sounds like a tribute to Nitzer Ebb. For heavier, Pan Sonic-type crusher “Sintered Bauxite” is a choice. Of different […]

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REVIEW: Black Merlin – Proto World EP (Berceuse Heroique BH036 – 2017)

In its beginnings, Berceuse Heroique (BH) looked like an adolescent rebel aimed at shocking everyone around. In addition to sowing disorder with harsh, nonconformist sounds the London label was notorious for provocative visuals that went beyond any taste. Still it feels quite the same when – after a break since Marco Bernardi’s hypnotic “The Dancing Clowns” – I’ve added two new BH releases to my collection. The sleeve art of Black Merlin’s “Proto World” – a long EP with over 25 minutes of playtime – sets the tone for the opening title track, which is ghastly enough to imagine a […]

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The best of 2016 in a mix

Tracklist Sven Grünberg – Hingus, I Osa (Мелодия / Bureau B) David Morley – Presto (De:tuned) Ioannis Savvaidis – IBM 2870 (Lower Parts) Puto Anderson – Domingo de Paz (Príncipe) Eomac – Same Heart, Same Breath, Same Life, Same Death (Bedouin Trax) Tanzania Soundsystem – Ngono Kijiji (Highlife) Reade Truth – OMM 0910 (Path Records) Population One – Detroit City At Night (Metroplex) Gut Nose – Enjoy Thy Flesh (Styles Upon Styles) Nikolajev – Live Cut (Mutant Disco) (Collect-Call) CT Trax – Toxic (Dixon Avenue Basement Jams) Brassica – Wryders (Feel My Bicep) Kareem – Meyrink (Noiztank) Mumm – Cell […]

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DUST OFF: Top 15 electronic tracks from 1996

It’s time for the end-of-the-year lists and this one is of different type. About 12 months ago I selected some almost vintage tunes, my favourites from 2005. Already then it was hard to resist the temptation to delve into the nineties, a really golden era of electronic music. Now it really happened – the leap back to the year 1996 that was rich of excellent sounds. I still plan a wrap-up for 2016 but it’s also important to see what tunes have really stood the test of time. Here we go with my favourite tracks from 1996 in alphabetical order, most […]

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REVIEW: Sebastian Reuschel – The World Is Shit (ZCKR14 – 2016)

With echoing creak, the door opens to the world of abandonment, spider webs covering a metronome that sets the pace towards the midnight. Diabolical noises are gradually growing to hardly digestible sonic oppression where the crudity has its certain charm. Fifteen minutes of the A-side’s “Exav 2B” are a tour de force of beatless dark ambient with suffocating drone passages, haunting overdrive effects and hollow whispers that make the mood-o-meter scraping the extremes. On the flip, “Dying Alone” is a wall of doom spanning over brain-challenging ten minutes with an abrupt end. Bremen’s ZCKR has become one of my permanent objects […]

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Techno promos: –Story, /beyond/, D.Carbone, Zanias

Picked some releases from the promo folder to highlight those that have caught my attention.           –Story – Object EP (Koepel-I) Release date 26/09/2016 Along with cryptic spelling comes an exciting artist and label debut with deep house inclined tracks that make good use of bouncy drums and distortion the Rezzett way (“001”). A spontaneous fifer joins the dubby undercurrents in “002” and Planet E type majestic chords appear in “003”. /beyond/ – Now I See There’s Light (Urban Legend UL 002) Release date 25/09/2016 After having a track on Urban Legend’s inaugural various artists release “Phobos” […]

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SHXCXCHCXSH – SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs (Avian ‎AVNLP003 – 2016)

Sssssnake chhharmers from Sweden, not only linguistically challenging dark knights from SHXCXCHCXSH who boast over 6,300 followers of their empty Soundcloud account, believe in the power of ‘s’ in the new album for UK label Avian. After initial rush to vitriolic roughness, when only to recall earlier catalogue entries by Shifted and MPIA3’s, Avian’s tastes have become more varied (Litüus, for example) and SHXCXCHCXSH’s album belongs rather to the experimental section. Instead of targeting sweaty techno caves with their previous Avian LP “Strgths”, SHXCXCHCXSH emits steamy, pixelated sound that constitutes the basis of most of the compositions. Consciously or not, many parts sound very familiar: one of the album’s best tracks, “Ssss” at […]

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Shitcluster – Meat Thief (Panzerkreuz 1027 – 2016)

The Hague’s loonies operating under the name Shitcluster have staged another freakshow of rhythmic noise, to disrupt ‘dance music’ as such. New distorted deviations by Charlie Watkins and Jan Duivenvoorden – the latter running nowadays the Unit Moebius Anonymous –  begin with two ramming tracks on the A-side that remind of Ancient Methods’ “The Whip” from 2009. The gruelling chug of A1 is led by hollow, bouncy drums and subtle complaints like coming from Sid Vicious’s taped mouth, followed by asphyxial feel of A2. The B-side opens with rubbery stabs and eerie clonks that are guided by rotating turbines like engineered by Vainio Väisänen Vega and giving the sensations […]

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