Although partying and club going was very limited in 2020, there were several tracks that would have worked on the floor or were just neat tunes for humming along. Distinctive in hindsight, to be remembered in a blind test in a few years time and ‘catchy’ in a good sense.Read More →

Dutch synth anarchists Staatseinde are appearing on the label Lo Phi Forms that this year launched with “Danger EP”, an aptly titled slab of acid frenzy from Klankman. With this promising notion, the three-man group has invited a choir of fairies to jointly introduce the release with Wagnerian intro “Staatsanthem”Read More →

Billy Ray de la Haye, a studio artist with sketchy public CV, comes allegedly from Rotterdam and not from The Hague that was my initial guess, because of ‘la Haye’ of course. By sound, he could be unmistakingly located in the Dutch west coast, when disco riffs and vocoded lyricsRead More →

Clearly filed under synth-pop, White Blush release smells like Commodore and 808. Originally from Chicago and now hailing from Los Angeles, Carol Rhyu, is obviously fond of vintage gear and neon sounds when she, the mind and soul behind the White Blush, presents a definition of urban daydreaming on the self-titledRead More →

Once a year Estonian sci-fi and horror fans meet at Estcon to spend a few days in the nature with beer and fantasy. The focus is on literature and storytelling, but these good folks with expanded cultural horizon like the music too. This year all participants were eligible for “EstconRead More →

Rating: 7/10 Some good ones on this Groove compilation. Let’s start with a Mexican who loves machines and combines them with traditional instruments: like a godchild of Liaisons Dangereuses, Rebolledo rocks big time in “Steady Gear Rebo Machine” with monotone percussion – a pretty angry track that makes curious aboutRead More →