NEW INDUSTRIAL TECHNO: Ancient Methods, Headless Horseman, Rory St John

Ancient Methods ‎– The Asking Breath Comes To Each (Candela Rising CAN008 – 2017) (Guest) vocals in a sampled form are not so uncommon in Ancient Methods releases, if to recall tracks under the Room 506 moniker and for Metaphysik. In the debut for Candela Rising, four acts are contributing to the industrial beats with human voice, beginning with the shouting fairy Zohra Atash from Azar Swan in “Swallow Screw” and raspy intervention by Huren in “The Standards Will Come And Go”. After A-side’s straight industrial takeoff with dark wave elements, the other side adds some dreamy notes in “It […]

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REVIEW: The Mover – Selected Classics: Remastered 2017 (BOIDAE 002 / Planet Phuture – 2017)

The year 2017 without a release from Marc Trauner aka Marc Acardipane would have been utterly disappointing, because under his guidance the significance of 2017 for Planet Core Productions brotherhood was spelled out already decades ago when German hardcore was born in Frankfurt area. Now Trauner’s double pack under The Mover moniker has landed on Berlin’s Killekill sublabel Boidae, in association with the artist’s Planet Phuture platform. As the album title says, instead of new material the celebrations take place with remastered versions of The Mover’s finest moments, collected from the artist’s golden era from the 1991 debut “Frontal Sickness Part 1” up […]

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REVIEW: Erik Van Den Broek – Expressed (De:tuned ASG/DE014 – 2017)

Shiver Records from Haarlem, Netherlands was one of the furious labels in the nineties and techno mag Frontpage suspected there could have been a high level of acid contamination in the city’s drinking water. It tells a thing about Erik van den Broek who was behind the label and the project called Shiver. Actually he ran a few dozens of monikers, his acid project Essit Muzique being another one that has caught my attention. So much about the history: Van den Broek’s comeback on the Belgian retro-minded outlet De:tuned offers unreleased material where the nineties are presented from a different […]

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REVIEW: 400PPM – Fit For Purpose (Avian AVNLP004 – 2017)

Shawn O’Sullivan aka 400PPM lets the listener to decide the purpose of his new album. All eleven cuts are far from abstract, dark noisescapes often heard on Avian in recent times but it’s not a pure ‘dance’ album either when predominant modular monotony is topped with multiple layers and references to the decades of electronic music history. When bearing in mind the floor factor, suitable picks are “Metabolic Grift” with processed voice on a shuffled thud, which would appeal to an apache in astral mode and “8.069” that sounds like a tribute to Nitzer Ebb. For heavier, Pan Sonic-type crusher “Sintered Bauxite” is a choice. Of different […]

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REVIEW: Porter Ricks – Anguilla Electrica (Tresor Records TRESOR295 – 2017)

Several hours of dub techno exposure at an abandoned anti-aircraft base was not enough in a white summer night that now lies about 17 years behind. When driving home from the party at the daybreak, Porter Ricks’ album “Biokinetics” was the perfect choice to keep the vibe of a dark gigantic hangar, with “Nautical Dub”, “Port Of Gentil” and other tracks that had helped to immortalise Chain Reaction in the electronic music industry. About 17 years later, dub techno overlords Thomas Köner and Andy Mellwig are returning to the LP format to quench the thirst for deep, crackling textures. Being Porter Ricks and announcing a new album after a longer […]

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TECHNO & TRANCE: Boston 168, Peter Eilmes, Eloim, Peter van Hoesen

‘Trance’ has been both a severely misunderstood and abused genre, mostly standing for euphoric, full-on fare that mushroomed in the nineties. Leaving aside the substances related to the scene, trance has a deserved position in the dance music history. Difficult to say if we are facing a revival but some recent releases carry elements of quality trance.   Boston 168 – 90’s Space EP (Enemy Ltd ENEMY 033 – 2017) Plenty of acid from the Italian duo and smoke machine can be smelled in the title cut recalling the Djax-Up days. In “Interstellar” and “Orbit” the heart rate of Harthouse […]

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REVIEW: Arcanoid, Jimmy Edgar+Ideograma, Plant43, Annie Hall – 10.X. (SEMANTICA 10.X – 2017)

This year, Semantica Records’ glorious decade in music is celebrated with the anniversary series, a journey through global techno, involving artists from Sweden to Japan, from France to Argentina for mostly four-to-the-floor, tripping tracks. The ten-vinyl batch is now peaking with “10.X.”, dedicated to electro that has not been an uncharted territory for the Madrid label, if to recall thematic tunes from Ed Chamberlain, E.R.P., Boris Divider and many others. Gladly the contributions from all artists  – everyone of them has previously appeared on Semantica – are diverse on their own way. Spanish producer Arcanoid opens with a symbiosis of synthwave, […]

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REVIEW: Dez Williams – Forlorn Figures In Godforsaken Places EP (Mechatronica MTRON003 – 2017)

Still when the influence of Dez Williams’ track “Only Way I Know” on the recent Mechatronica sampler is hard to disappear, the producer from Holy Island off the Welsh coast returns to Berlin’s electro imprint with a new EP, which is the label’s first solo effort after two mini compilations. Although qualified for conceiving nasty acidbangers, from the very beginning Williams’ special love has belonged to electro and here we have another proof of his trade skills. “Xen” opens as a standard electro track that would match I-F’s classic output with growling 808 and laser sword stabs, the vocal part providing […]

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REVIEW: Vertical67 – Morphed Reality (Brokntoys BT18 – 2017)

Thomas Pahl is a visitor from Berlin on Brokntoys. When he’s not exactly busy at Vortex Traks, an electro label he runs together with Naks, Pahl is making music under the Vertical67 alias. The project’s first digital tracks came out about ten years ago and “Morphed Reality” is Vertical67’s second appearance on the London label, after contributing with acid-soaked frosty funk “Distortion” in recent mini compilation “The Glowing”. The A-side is dedicated to swerving uptempo cuts, the opener “Far Away Lights” rolling on coarse 808 kicks while wriggly 303 and subtle vocoder action furnishes the title tune. The B-side rests on the […]

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REVIEW: /DL/MS/ – Rogue Intent (TRUST29 – 2017)

TRUST from Vienna calling with “Rogue Intent” when Dan Lodig, who was behind last year’s Lok44 EP, returns to the label with Martin Sovinz under the project name /DL/MS/. TRUST is regarded as electro outlet and while the duo is not going to dispute its style preferences, their peculiar view on combining mechanical beats and voice samples offers a few surprising, quality moments. Inheriting some elements from IDM, the rather lingering opener “Indisciplinado” is difficult to categorise when it travels from artsy surroundings to sticky bars with hardly audible background voices. The next track “Yep” starts with hollow medieval drumming and Oriental strings […]

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