Terminal 313 mix for Kopli.live (August 4, 2017 at Sinilind, Tallinn)

From grime and house to techno and Balearic – the Kopli.live project was initiated in Tallinn this winter by DJ JFL to bring together music lovers who are ready to drop their favourites in public recording sessions at different locations in the city. By today, over 40 sets have been taped when after the summer break selectors like Endamisi Salamisi (Isaiah Tapes, Trash Can Dance), Leiner & Kalvik (Lejal Genes) and Terminal 313 got together to Cafe Sinilind. In my mix, I wanted to present some new tunes that have caught my attention, as well as some classic tracks from the […]

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Terminal 313 Juno chart: July 2017

Terminal 313 Juno chart: July 2017 HARMONIOUS THELONIOUS – Ayranman EP Conan O’DONNELL – Underground Psychosis EP SECOND STOREY – Telekinesis Via Fax Keith TUCKER – Detroit Saved My Soul SAINT ABDULLAH – The Sounds Of Evil: Volume One DJ STINGRAY/VARIOUS – Kern Vol 4 BULKHEAD – Lunch Truck EP SYNC 24/PRIVACY/DEFEKT – Split Excursions Vol 1 PHILUS aka MIKA VAINIO – Kolmio EP VARIOUS – Unruhe Terrence DIXON – Like A Thief In The Night EP VARIOUS – Rave Or Die 08 SCAN 7 – Burdens Down LAKSA – Camo Cari LEKEBUSCH – Knowledge

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REVIEW: Cari Lekebusch – Knowledge (H. Productions HYB034 – 2017)

Cari Lekebusch from Stockholm is a true electronic music veteran whose first tape experiments appeared thirty years ago. Gradually he became an international techno producer with countless aliases and also managed to belong to Harthouse roster, recording under the name of Braincell several EPs for the hard trance flagship. However, Lekebusch was primarily a driving force of the nineties Swedish techno community, along with Jesper Dahlbäck, Joel Mull, fledgling Adam Beyer and others. The producer with German and Finnish roots has actually kept going ever since, running his own H. Productions (the successor of the label Hybrid) and has completed […]

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REVIEW: Conan O’ Donnell – Underground Psychosis (xerophkz XPKZ003 – 2017)

Detroit and Dublin – so far from each other and so close in the mind of Conan O’Donnell. Running his own label and alias xerophkz since 2015, the Irishman seems to belong mentally to the nineties of Motor City with raw techno productions he presents in the new EP “Underground Psychosis”. His robust tracks remind of early output from the Underground Resistance camp and are giving thrills to anyone who is missing new “Punisher”-type tracks from Detroit, so rare in recent years. The spoken word in beatless “Intro” delivers an ode to music’s vital role, affirmed by the following buzzing […]

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NEW INDUSTRIAL TECHNO: Ancient Methods, Headless Horseman, Rory St John

Ancient Methods ‎– The Asking Breath Comes To Each (Candela Rising CAN008 – 2017) (Guest) vocals in a sampled form are not so uncommon in Ancient Methods releases, if to recall tracks under the Room 506 moniker and for Metaphysik. In the debut for Candela Rising, four acts are contributing to the industrial beats with human voice, beginning with the shouting fairy Zohra Atash from Azar Swan in “Swallow Screw” and raspy intervention by Huren in “The Standards Will Come And Go”. After A-side’s straight industrial takeoff with dark wave elements, the other side adds some dreamy notes in “It […]

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REVIEW: The Mover – Selected Classics: Remastered 2017 (BOIDAE 002 / Planet Phuture – 2017)

The year 2017 without a release from Marc Trauner aka Marc Acardipane would have been utterly disappointing, because under his guidance the significance of 2017 for Planet Core Productions brotherhood was spelled out already decades ago when German hardcore was born in Frankfurt area. Now Trauner’s double pack under The Mover moniker has landed on Berlin’s Killekill sublabel Boidae, in association with the artist’s Planet Phuture platform. As the album title says, instead of new material the celebrations take place with remastered versions of The Mover’s finest moments, collected from the artist’s golden era from the 1991 debut “Frontal Sickness Part 1” up […]

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REVIEW: Morah – #006 (Vanila VNL 006 – 2017)

The sixth release on Greek label Vanila offers a hefty dose of wild rituals from Morah’s distorted mind. With sluggish but hammering percussion, Greek madman delivers a rhythmic noise masterclass with plenty of obscured vocal samples. Unless you are in favour of ultra-slow versions, the vinyl has to be played at 45 RPM and even then it tends to insist a higher pitch. The tempo is actually a secondary issue because of vast amount of roughness found in the record. The A-side’s “Arpyies” is about savage, chugging rhythm and abnormal moaning from the mouth of creatures on GMO diet and […]

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REVIEW: Erik Van Den Broek – Expressed (De:tuned ASG/DE014 – 2017)

Shiver Records from Haarlem, Netherlands was one of the furious labels in the nineties and techno mag Frontpage suspected there could have been a high level of acid contamination in the city’s drinking water. It tells a thing about Erik van den Broek who was behind the label and the project called Shiver. Actually he ran a few dozens of monikers, his acid project Essit Muzique being another one that has caught my attention. So much about the history: Van den Broek’s comeback on the Belgian retro-minded outlet De:tuned offers unreleased material where the nineties are presented from a different […]

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REVIEW: 400PPM – Fit For Purpose (Avian AVNLP004 – 2017)

Shawn O’Sullivan aka 400PPM lets the listener to decide the purpose of his new album. All eleven cuts are far from abstract, dark noisescapes often heard on Avian in recent times but it’s not a pure ‘dance’ album either when predominant modular monotony is topped with multiple layers and references to the decades of electronic music history. When bearing in mind the floor factor, suitable picks are “Metabolic Grift” with processed voice on a shuffled thud, which would appeal to an apache in astral mode and “8.069” that sounds like a tribute to Nitzer Ebb. For heavier, Pan Sonic-type crusher “Sintered Bauxite” is a choice. Of different […]

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REVIEW: Porter Ricks – Anguilla Electrica (Tresor Records TRESOR295 – 2017)

Several hours of dub techno exposure at an abandoned anti-aircraft base was not enough in a white summer night that now lies about 17 years behind. When driving home from the party at the daybreak, Porter Ricks’ album “Biokinetics” was the perfect choice to keep the vibe of a dark gigantic hangar, with “Nautical Dub”, “Port Of Gentil” and other tracks that had helped to immortalise Chain Reaction in the electronic music industry. About 17 years later, dub techno overlords Thomas Köner and Andy Mellwig are returning to the LP format to quench the thirst for deep, crackling textures. Being Porter Ricks and announcing a new album after a longer […]

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