Luke Slater, techno man in business for almost 20 years, puts his remixing hands on the track called “Gmork” and does it with passion. Definitely he returns to his roots here with a solid floor stuff and we can forgive him diversions to average-sounding breaks and electro productions (“Wireless”, 1999).
In the beginning of 1990’s Bruno Sanchioni and Giuseppe Chierchia filled global dancefloors with a captivating trance hymn called “Age of Love”, produced under the moniker of same name. The number of different releases and reissues of this single competes already with some songs of The Beatles.The first release of
Juju & Jordash are Gal Aner and Jordan Czamanski, two Amsterdam residents who met for the first time in Haifa at end-1990s, have produced their first longplayer that is colorful like a greengrocer’s stand at a Jewish market. The self-titled album kicks off with “Deep Blue Meanies“, an easy-going tune with
Raoul K, hailing from Côte d’Ivoire and Hamburg, presents a new gem of his (sub-)label. While Baobab’s first, “Le Cercle Peul” from 2008, was a smooth and unpretentious tribal house then especially the A-side of current outing is a fierce voodoo. More industrial than house, reminding of Jamal Moss’s rougher
SITS 002 is an extraordinary release. It’s the first Mills production in ten years that lands in my collection (the previous one was “Metropolis”), although his early catalogs of Axis, Purpose Maker and Tresor are well represented in the shelf. “The Purpose Maker EP” and “Waveform Transmissions Vol. 1” still
The snowbanks outside provide inspiration to compare this release with an avalanche. It’s as powerful and overwhelming but, unlike the unharnessed power of the nature, this experience is taking you over in slower motion – till you find yourself buried under it.The first, title track, has mechanic beats as well