Rating: 6/10 After a number of tense and slinky releases on own label Geophone, Parker moves on to Europe and continues his series of echo-filled compositions, now on Italian label Aquaplano. In January he did another EP, on German Prologue Music, including a Donato Dozzy remix.From this EP I would
A history lesson: Many thanks to Rico Passerini from Berlin for sharing a Future Sound of London show on Kiss FM, during Christmas 1992. A parade of breakbeats and analog sounds for your pleasure, starting with euro techno dinosaurs like Ramirez and Datura and going to deeper electronica. At 28
Unterschätzen Sie nicht die Macht*. Teutonic onslaught on American soil was the result when Californian label Van Richter hosted a release by Plastic Noise Experience (PNE), at that time a two-man project of S.M. Kalwa and Claus Kruse. “Neural Transmission” moves between industrial and EBM, and is a compilation based
You can’t expect something ordinary from Mordant Music. “Hume” walks on the borderline of real and imaginary world, presenting first a theatrical performance by an uncredited and dramatic vocalist (Vindicatrix?) who is doing it in Fritz Ostermayer style. Electro-acoustic composition and sleepy bass serve as backdrop. This is for the
Gloomy twins have arrived. Two CDRs, as separate releases, full of noise and experimental sounds by EDASI. But the twins are not identical. While “Night At The Museum” could be effectively used in interrogations to make people confess anything to anyone, the other one can be used for other purposes.
In the mid-nineties, Detroit labels had own very distinctive sounds ranging from Pulsar’s rabid 303 riffs to tight Millsian loops and UR’s futurist funk. It means that Lansing, Michigan, where V-Max Records was founded, had to choose an alternative path that meant faster and more experimental techno tracks and some