Rating: 6/10 After a number of tense and slinky releases on own label Geophone, Parker moves on to Europe and continues his series of echo-filled compositions, now on Italian label Aquaplano. In January he did another EP, on German Prologue Music, including a Donato Dozzy remix. From this EP IRead More →
Rating: 6/10 No doubt the artwork is a failure. Don’t think the robust a** on the sleeve belongs to the mag’s cover boy Nicolas Jaar who in the song “Keep Me There” hums along on electronics. One track is not enough to assess if it’s a ingenious work or not.Read More →
A history lesson: Many thanks to Rico Passerini from Berlin for sharing a Future Sound of London show on Kiss FM, during Christmas 1992. A parade of breakbeats and analog sounds for your pleasure, starting with euro techno dinosaurs like Ramirez and Datura and going to deeper electronica. At 28Read More →
Rating: 7/10 Hard to believe but this is my first Function release, although the guy has been around for more than a decade and recently moved to the spotlight with Sandwell District. Here is David Sumner’s solo effort on a techno label that shows the direction at the moment.Maybe theRead More →
Finally in 1987, I discovered that Mireille Mathieu, the lady with famous pot haircut, and Joe Dassin were not the only artists singing in French. And it was a rude awakening when The Young Gods hit the stage with immense charisma of the singer Franz Treichler, assisted by Frank BagnoudRead More →
October 2010: Graz and Berlin were the locations for Sandwell District’s (SD) test sessions. For the enjoyment of techno fans, for the days when Santa Claus was visiting, part of the action was made available with this release. And not only this: A single by Function and a full albumRead More →
Unterschätzen Sie nicht die Macht*. Teutonic onslaught on American soil was the result when Californian label Van Richter hosted a release by Plastic Noise Experience (PNE), at that time a two-man project of S.M. Kalwa and Claus Kruse. “Neural Transmission” moves between industrial and EBM, and is a compilation basedRead More →
You can’t expect something ordinary from Mordant Music. “Hume” walks on the borderline of real and imaginary world, presenting first a theatrical performance by an uncredited and dramatic vocalist (Vindicatrix?) who is doing it in Fritz Ostermayer style. Electro-acoustic composition and sleepy bass serve as backdrop. This is for theRead More →
Gloomy twins have arrived. Two CDRs, as separate releases, full of noise and experimental sounds by EDASI. But the twins are not identical. While “Night At The Museum” could be effectively used in interrogations to make people confess anything to anyone, the other one can be used for other purposes.Read More →
In the mid-nineties, Detroit labels had own very distinctive sounds ranging from Pulsar’s rabid 303 riffs to tight Millsian loops and UR’s futurist funk. It means that Lansing, Michigan, where V-Max Records was founded, had to choose an alternative path that meant faster and more experimental techno tracks and someRead More →