Sync 24’s debut album occupies minds and bodies with psychedelic a la carte electro. Having shaped from Cultivated Electronics a remarkable label, Philip Bolland has acted as a real small business founder, being active both in the managerial and production duties for CE’s sought-after electro catalogue. Now, instead of bettingRead More →

The title “Cosmic Cannibals” may sound like from a 1970’s Southern European B-movie, but the suspense provided by this four-track EP belongs to the category A entertainment. Shad T. Scott aka Gosub, who has been behind acclaimed electro tunes over the decades, escorts our imagination to the remote ends ofRead More →

For the launch of the self-titled label, electronic music enthusiasts from Minimal Detroit have summoned artists from both sides of the Atlantic, which may explain why the EP is called “The Bridge”. The A-side features local heroes from Michigan, perpetual minimalist Terrence Dixon opening with tight “The Musical”, which isRead More →

Competing by the number of aliases with Legowelt, Kirill Junolainen is undoubtedly a very productive artist, and since the last year his focus has been on the electro project Konerytmi (‘Machine Rhythm’). Born in Russia, but now closely connected to Finland, a country of his ancestors, Junolainen has been involvedRead More →

Here are Terminal 313’ snapshots of the previous month, expected to become a more or less regular section of the blog. Techno of the month: Air Protection Office – Untitled (SEMANTICA 128) After much-awaited reissue of Ed Chamberlain’s 2013 EP, Semantica’s consistent delivery of great sounds continued with a tapeRead More →

Although partying and club going was very limited in 2020, there were several tracks that would have worked on the floor or were just neat tunes for humming along. Distinctive in hindsight, to be remembered in a blind test in a few years time and ‘catchy’ in a good sense.Read More →

Hardly any daylight penetrates the depths of “A Warm Place”, which is furnished with low frequency roars of unknown species. So begins Tomas Jirku’s new album “A Philosophical Enquiry Into The Synesthetic  Experience Of Touching The Sublime”, as the full title reads on the sleeve. Released on Canada’s Silent Season,Read More →

It’s about the year 1993 and a journey between Zeebrugge and Dover, for discovering repetitive beats both in the CO2-rich industrial areas of Albion and the Continent. Recently, the call of desolate warehouses and vast outdoor venues of bygone times has become very common in electronic music and Sansibar takesRead More →