It might sound as an exaggeration, but the upcoming single on Rabih Beaini’s Morphine Records is from another dimension. The effect is intoxicating, by means of sound and voice processing executed by producers at the very Olympus of today’s electronic music.Two tracks from the label’s back catalog have been pickedRead More →

After being enthused about Innercity’s seven-inch on NNA Tapes, a message by the artist announcing a free album full of electronic psychedelia raised new expectations. “Cyber The Last Grind”, a compilation of Hans Dens’ recordings from 2009 to 2011, is a maze of nonconformist sound experiments under the veil ofRead More →

Rating: 9/10 Det är lite konstigt that after a couple more or less experimental releases by Perispirit, Nova Scotian Arms and KPLR, Digitalis seems to have inaugurated a discodrome in Tulsa to welcome a special guest from Europe. Compared with aforementioned albums, “Muzika Electronic” sounds like a dance record. Almost,Read More →

Rating: 9/10 Railway, a symbol of motion, offers ultimate percussion experience as the rhythmic movement can be physically perceived on board. Chris Watson, a founding member of Cabaret Voltaire, decided to use trains as instruments and traveled with his recording gear across Mexico to capture sounds of rails for an album releasedRead More →

Rating: 8/10 When at 60 degrees North there was no snow in January, “Cult Spectrum” seemed appropriate music for dark and bare landscapes of the moment. Having released a cassette on Digitalis two years ago, Nova Scotian Arms presents now somber compositions on their first LP for the label.Painted blackRead More →

Rating: 9/10 Pff…dff…zhlkk…ghzz. A rational mind has spoken and composed fourteen interpretations on the theme “Uni”. Despite built on metallic loops and particle noise, the album sounds very sterile, coming like from a whitewashed, even clinical environment.Among the tracks you find experiments with Balinese bells and asymmetric sound channels, will beRead More →

Rating: 9/10 KPLR has enslaved technology to conduct high-end acid experiments with punishing repetition and whirling EQ-effects. It’s pure unlimited programming that systematically avoids looking into the books of current techno idols. Occasionally the tracks remind of early Bunker output like Acid Planet, but those looking for bass-driven 303 slammersRead More →