In its beginnings, Berceuse Heroique (BH) looked like an adolescent rebel aimed at shocking everyone around. In addition to sowing disorder with harsh, nonconformist sounds the London label was notorious for provocative visuals that went beyond any taste. Still it feels quite the same when – after a break sinceRead More →
Ethnic music has served as a source of inspiration for many artists and when speaking about Arabic flavour in electronica, the most merited producer might have been late Bryn Jones aka Muslimgauze. Radical both in his pro-Arabic views and sound writing, Jones contributed to the evolution of a particular subgenre without targeting too clearlyRead More →
The Hague’s loonies operating under the name Shitcluster have staged another freakshow of rhythmic noise, to disrupt ‘dance music’ as such. New distorted sketches from Charlie Watkins and Jan Duivenvoorden – the latter running nowadays the Unit Moebius Anonymous – begin with two ramming tracks on the A-side that remindRead More →
Despite of being attached to the UK power electronics and experimental scene from the end of 1980s, Stefan Jaworzyn’s solo work has been limited to a few releases about 20 years ago. Formerly guitar player in the bands Skullflower and Whitehouse, Jaworzyn has made 2014 a year of his resurgence withRead More →
Diskant has been a highly satisfying label for anybody fond of drum-obsessed rhythms, when we only recall vigorous output by The Durian Brothers and Harmonious Thelonious. Don’t DJ remains faithful to the label’s values with a new five-tracker called “rɪð.əm”, which is a phonetic disguise of “Rhythm”. The act is composedRead More →
New full moon sessions by Demdike Stare, the act consisting of Miles Whitaker (check also his debut LP on Modern Love) and Sean Canty, whose extraordinary courage for wicked sound explorations have attributed to them a cult status. The duo’s two-tracker inaugurates a new series on Modern Love’s labeled asRead More →
“Jeidem Fall” by Tolouse Low Trax has been on heavy rotation in recent months and in my view it’s a strong contender for the best album of 2012. Detlef Weinrich, a member of Kreidler collective, has been operating for a while as Tolouse Low Trax, the project looking like aRead More →
Rating: 8/10 This music is difficult to fit into tight places as it needs high ceilings. Cathedrals would suit the best, especially for the A-side’s “Dada Les Apocalypses”. Solemn droning organ music, both festive and menacing, for the very last minutes before the final demise.Witches would like distorted pumping lo-fiRead More →
Rating: 9/10 I would not say that Diskant is the second best thing coming from Düsseldorf, after Kraftwerk. But it’s very close. The label has decided to consistently pursue own distinctive, rhythm-obsessed sound. The website of Diskant Brothers ..ahem, Durian Brothers says it is polyrhythmic para-funk and I do notRead More →