When I was reading “Der Klang der Familie”, a book about the foundations of techno and party scene in Berlin, it was the right time to recall some classics from the beginning of the 1990s. MFS, an acronym for Masterminded For Success, was an influential label back then, specialising onRead More →

It might sound as an exaggeration, but the upcoming single on Rabih Beaini’s Morphine Records is from another dimension. The effect is intoxicating, by means of sound and voice processing executed by producers at the very Olympus of today’s electronic music.Two tracks from the label’s back catalog have been pickedRead More →

L-Vis 1990 in the ghetto for a booty-shaking and testosterone-dripping jaunt, in full compliance with old Chicago traditions. In a broad and load manner the UK youngster drops five striking cuts sounding like Dance Mania on steroids. “Workout” kicks in the best a**-n-ti**ies style, but real gems are “Video Drone”,Read More →

Duplex is an essential European outpost for Detroit’s electronic music heritage. In their newest release for the Harbour City Sorrow imprint, Chris Aarse and John Matze have succeeded in producing a perfect set of Motor City influenced tracks showing the innovation one would expect from techno’s birthplace itself. Duplex hasRead More →

After being enthused about Innercity’s seven-inch on NNA Tapes, a message by the artist announcing a free album full of electronic psychedelia raised new expectations. “Cyber The Last Grind”, a compilation of Hans Dens’ recordings from 2009 to 2011, is a maze of nonconformist sound experiments under the veil ofRead More →

Italy’s webzine Electronique.it has decided to enjoy the joys and sorrows of being a record label and prepares its first release featuring three artists. Preview clips tell that “Soils” by Commodity Place is an ordinary ambient piece and “Is This For Real?” by passEnger keeps tranquil mood while adding someRead More →