“Decapitation” is the best cure for the bored. The opener of the new Headless Horseman hits with cold-blooded synth swirl mounted on throbbing and kicking bass and sharp claps. Sinister and rampant techno and the most convincing achievement of the ghost of a Hessian trooper so far.
Extra help is engaged in the dark dealings of “Graveyard” when Perc’s no-nonsense rework covers the place with the textures of booming industrial techno. After that, the original “Graveyard” leads the cavalcade to the terminal point with half-stepping rhythm. In my view the necromantic connotations do not sound very creative here, but musically Headless Horseman is on a very promising path. Beware of techno Goths.