Despite of strong electronic connotations this EP is not related to Modern Love, a visionary techno imprint from Manchester. Because Max E. Monroe, the artist behind The Trash Company, composed the tracks about 20 years ago and these were initially rejected by Capitol Records. Until recently Monroe from Richmond, VirginiaRead More →

Since the launch of the self-titled imprint, floor-conscious Abdulla Rashim has undergone steady artistic evolution. Firstly jumping on the droning techno bandwagon, Rashim quickly detached his sound from trendy tropes. Now the label’s sixth and most fulfilled release is once again inspired by the skies above Ethiopia and the country’sRead More →

Mechanical witchery by Stave, a project from the mind of Chicago’s Jonathan Krohn, is unleashed in the end-of-the-year release by Irish label Trensmat. “Trust EP” goes further from the label’s recent jittery percussion into the realms of throbbing and harsh machine language. Any wellness desires are trampled under the heelsRead More →

Berceuse Heroique CEO Kemal has hauled Flaneur Audio and Voodoo Down Records operative Christopher Ernst from the US to a grueling trip on the nonconformist label from London.The invasive two-tracker fills close to 30 minutes of our miserable life, starting the A-side’s filthy noise and haunting voices united under theRead More →

Since the vinyl debut „Progress Chance” on Digitalis two years ago, Ricardo Donoso has been the label’s highly acclaimed artist and now the Brazilian returns with the newest contribution “As Iron Sharpens Iron, One Verse Sharpens Another”, which is a staggering mix of fragile layers, flaming arpeggios and shuddering bass.Read More →

Skirt’s position as a flagship producer in Semantica’s stable is reaffirmed with “Wish In The Maze” when the US-born and Birmingham-based Bethany DeMoss returns to Svreca’s label shortly after excllent “Tumulto”, backed by Yuji Kondo and Shifted remixes, and earlier co-op with Svreca (“Hymen”). The new EP is again aRead More →