The track “Surkit” has seen several reincarnations since its first, white label release in 1990. Written by Martin Bonds for his Reel By Real project, it represents the raw and a bit clunky phase of Detroit techno. Now the original track, along with the pumping “1991 I-102 Version” has beenRead More →
When (another) tour of the 1990’s revival is on, it’s time to recall some originals from that time. At the end of 2024, I decided to travel back three decades and select my favourites. Of course it’s a subjective choice and reflects the taste of one individual, but still willRead More →
When (another) tour of the 1990’s revival is on, it’s time to recall some originals from that time. At the end of 2024, I decided to travel back three decades and select my favourites. Of course it’s a subjective choice and reflects the taste of one individual, but still willRead More →
About fifteen years after the premiere of “Star Wars”, Underground Resistance conceived an EP that could belong to the soundtrack of the space opus. Already the visual side makes a connection when the typeset of the record’s center label reminds of the movie’s opening titles. Speaking of sound, “The FinalRead More →
In 2023, a few successes have been recorded in the archeological search for pioneering electronic artists. One of them expands our understanding of geographical origins of the sound. Namely “The NID Tapes: Electronic Music from India 1969-1972”, a recovery by Paul Purgas (Emptyset) from the archives of the National InstituteRead More →
In the 1990s, Juice Records (with artists Dirty House Crew, DJ HMC, Cinnaman, etc.) were major techno and house exports from Adelaide, and from down under overall. Adelaide was also the home of Aerial Recordings. Local artist Matthew Thomas set it up, resulting in only two releases under his AquilaRead More →
In 2021, the first edition of “Next Wave Acid Punx” came out. Published by Eskimo Recordings, which is the dance department of N.E.W.S., the US-born artist Curses from Berlin presented dozens of tracks from the synth/EBM archives and exclusives from our days. Similarly, the ‘part deux’ follows its trails, asRead More →
After forty years in action, R&S Records has remained young at heart and keenly explores diverse sounds under the electronic umbrella. For the 40th anniversary, the label once set up by Renaat and Sabine in Ghent, and now managed from London, reignites the legendary “In Order To Dance” series, whichRead More →
Belgium’s longstanding rave platform USA Import jumps on the reissue train and presents “Initial Gain” that was originally released in 1991, shortly before Liza N’Eliaz (1958–2001) turned to hardcore and became ‘The Queen of Terror’. Thus, the EP’s originals describe the electronic music’s transition from new beat to acid houseRead More →
Mike Dearborn hails from the birthplace of house and debuted on Muzique Records in 1991. Soon he landed on Djax-Up-Beats, along with several other Chicago producers, and become a regular contributor to the label’s catalogue. Dearborn had a vital role in shaping the sound of Djax, with tracks like “Razorsharp”,Read More →