The French label Acid Avengers continues its program of caustic beats with a cross-European split EP. Under scrutiny of a flock of smileys, ProOne79 from Sardinia sets the mood with rave whistles and ‘acid’ yells in a classic 303 cut (“Grinder”). Then the Italian picks up a much-exploited theme (“LoosingRead More →
Based close to Rovaniemi in Lapland, Detachment Records is one of the world’s northernmost labels. Despite the Arctic climate, it’s perfectly capable of bringing some heat to the floor. After debuting in 2019 with a self-titled EP by Sex Control, the label now follows up with a split EP. ARead More →
Eloquent deep house on a split EP. Detroit’s seasoned producer Derrick Thompson aka Drivetrain still runs on schedule with his Soiree imprint and drops two parts of “It Can Never Be The Same” on the A-side. Dub notes give a boost to the first part, while in the second halfRead More →
Recently at the formidable Crevette record store in Brussels, I asked for tips about Belgian labels and a friendly guy at the counter was glad to help. While De:Tuned and Nightflight Records were familiar to me, Basic Moves was a new acquaintance, and its first 2023 release found a placeRead More →
So much has been said about “Stakker Humanoid”, which was a symbol of the fledgling rave scene. I also remember from the MTV’s “Party Zone” how the video enjoyed heavy rotation, not to speak about the track’s regular appearances in numerous best-of compilations. Might be that the excessive presence ofRead More →
My first contact with I-Robots was a compilation with 1980’s italo smashes like “Spacer Woman”, “Penguin’s Invasion” and others, which well substituted a painstakingly expensive mission of acquiring the originals on wax. Behind I-Robots and Opilec Music is the Italian Gianluca Pandullo whose mission is to unite sounds from differentRead More →
***** Datafreq Vs. Hozerz (Paper+Sound Paplus6 – 2020) What sounds like a mystery entry from the catalogue of Definitive, Toronto’s nineties imprint with yellow labels, is actually a collaboration of Dave Rout, Kris Helstrom and Heiki Sillaste – all seasoned artists from the Canadian metropolis. When looking at the arrayRead More →
Billy Ray de la Haye, a studio artist with sketchy public CV, comes allegedly from Rotterdam and not from The Hague that was my initial guess, because of ‘la Haye’ of course. By sound, he could be unmistakingly located in the Dutch west coast, when disco riffs and vocoded lyricsRead More →
Lerosa has been a trusted name for house and deep techno connaisseurs and not necessarily someone for the covers of glossy scene mags. I discovered him just recently, after the EP “Voyageur Nissart” and his remix for Costelloe’s “Infinity”. In a way he compares to a nice and timid chapRead More →
[Update: vinyl versions to be released in March 2020] Heiki (pronounce ‘hey-key’) Sillaste, frontman of the Canadian 1980s/1990s industrial group Digital Poodle, can look back to about 50 releases under different monikers. After two previous albums “Dub Museum” and “The North Shore” – the latter with dreamSTATE -, which delvedRead More →