Ukrainian producer Oleksandr Pavlenko, a new arrival on Semantica, feels at home in different electronic styles. For drum and bass productions, Pavlenko has run the project Sunchase, while the Na Nich alias is applied to ‘techno’, if to speak in general terms. Joining his compatriots Stanislav Tolkachev and Etapp KyleRead More →
After forty years in action, R&S Records has remained young at heart and keenly explores diverse sounds under the electronic umbrella. For the 40th anniversary, the label once set up by Renaat and Sabine in Ghent, and now managed from London, reignites the legendary “In Order To Dance” series, whichRead More →
By the language of music, Gerard Hanson (E.R.P., Convextion) has for decades told a number of compelling stories. Infrequent release schedule supports well the Texan’s standing in the electronic community, as the artist’s new material is welcomed with great anticipation. Following recent reissues of both Convextion albums, now Hanson linesRead More →
Schuttle, co-founder of Manchester’s Bakk Heia Records, reappears with a four-tracker on the label that carries an amusing name. The catalogue number BH006 (don’t mix up with Berceuse Heroique) offers an interesting mix from acidic breaks to minimal house, which plays the main role on the A-side. Grooving opener “Shadout”Read More →
Since the end of 2020, DJ Godfather has dropped three (digital) albums with over one hundred tracks. Still, such an industrial scale of music seems not to be enough. Accordingly, the artist follows up the compendiums with a stash of EPs that feature full-length versions, alternative mixes, acapellas and instrumentalsRead More →
Dub techno’s new coming, if I may say so, has reached the Latvian capital. Riga Dub Orchestra debuted with the digital EP “Dub of Riga” on the local imprint ECOUL SND a few years ago. The second release appears on Tāda Gaita, a label launched in 2022, and now welcomesRead More →
Belgium’s longstanding rave platform USA Import jumps on the reissue train and presents “Initial Gain” that was originally released in 1991, shortly before Liza N’Eliaz (1958–2001) turned to hardcore and became ‘The Queen of Terror’. Thus, the EP’s originals describe the electronic music’s transition from new beat to acid houseRead More →
Eloquent deep house on a split EP. Detroit’s seasoned producer Derrick Thompson aka Drivetrain still runs on schedule with his Soiree imprint and drops two parts of “It Can Never Be The Same” on the A-side. Dub notes give a boost to the first part, while in the second halfRead More →
‘Create something, steal nothing’ is a slogan of Stef Geerlings aka Serti, and he really means it. Techno producer from Amsterdam, who describes his style ‘weird soundscapes and clumsy kicks and basslines’, has completed a vital release. Though not a newcomer – “Bipolar Girl” (2021) can be found on Serti’sRead More →
For me, it was a well spent Sunday. Listening to Wackies sampler in the morning and pre-ordering “Tikiman Vol. 1”, a new album by Paul St. Hilaire in the evening. The artist’s former alias in the title looked like an invitation to the mid-1990s when the Dominica-born master of rhymesRead More →