In 2023, a few successes have been recorded in the archeological search for pioneering electronic artists. One of them expands our understanding of geographical origins of the sound. Namely “The NID Tapes: Electronic Music from India 1969-1972”, a recovery by Paul Purgas (Emptyset) from the archives of the National Institute
In the early 90’s, Electric Indigo was as a vital player in the techno scene between Vienna and Munich and her acid and techno sets were integral part of the legendary Ultraschall club. Now in 2020, the sound of the Austrian-born musician travels in comparatively different paths, which actually is
I have no clue who is Mirror Man, his favourite sneakers or preferred pasta are unknown. Actually any details about the artist allegedly using another, quite well-known moniker are hard to find, except that some months ago Mirror Man struck with “Curse Of The Green Goat”, a podcast for Berceuse Heroique, and
Klankman’s opening statement appeared in 2014 when Maarten Epskamp joined the ranks of The Hague’s legendary label Bunker. After the debut and the following EP on Tar Hallow, Klankman moves ahead on the road to the heart of rough acid scene, with a release on the Milan label Details Sound, run and founded by
Bremen’s ZCKR Records is fixated on the home turf with another set of urban impressions from the German port town. After a compilation and a single dedicated to the Grey City theme, it’s the turn of the label boss Sebastian Reuschel aka Sting Inge to produce an experimental score, for Bremen by night.
ZCKR Records is an independent label from Bremen, a city in Northern Germany and the smallest Bundesland. Historically, Bremen is known for its fairy-tale Town Musicians, four animals who formed a band and scared off a thief with dissonant, shrill improvisations. No need to be afraid of ZCKR, although the label and its
For me, Stave begins with the EP “Trust” on the Irish Trensmat, which now has sadly entered cold storage, as the label put it. The tracks were scripted in harsh machine language, including an outstanding remix by Israel Vines. It was in 2013, but Jonathan Krohn, a Chicago electronics artist behind Stave, was
Four electronic grotesques in ten-inch format, pressed as short but concise 45 RPM tracks. The feast starts with the title “Power Outage”, which feels like a demonic shrink session during blackout, with Alan Vega type of manic recital on accelerated knocking-on-wood beat of Amii Stewart. Next one, “Fabrics”, features EBM-friendly