You will be well boiled and cooked when listening to that. A cannibal feast is introduced with “Angewandte Muziek” where dry and fierce percussion accompanies the track. Crowd exclamations and synth drum wildfires leave no doubt that you have been stranded on a remote island somewhere in the Southern hemisphereRead More →
Raoul K, hailing from Côte d’Ivoire and Hamburg, presents a new gem of his (sub-)label. While Baobab’s first, “Le Cercle Peul” from 2008, was a smooth and unpretentious tribal house then especially the A-side of current outing is a fierce voodoo. More industrial than house, reminding of Jamal Moss’s rougherRead More →
Chicago v. 2.0 – this label of Poindexter and Moss carries proudly the flame that was lit in the 80’s in Windy City, and they excel both in yield and quality. Current compilation has again picked up various musical influences and starts with Sir KaTie and “Shout” that speaks toRead More →
Third record in the Cottam series, from the UK and this time with a green label. Intensive and tribal-minded track on the A-side reminds of Teknotika. Rhythm hits hard but the overall composition is rather dull. B-side is deeper and shows some evolution. Bass is charging and in the middleRead More →
Drums in excess in the first release of Diskant, a label based in Düsseldorf, the birthplace of Kraftwerk. “Inside Palace” promises musique concrete and abstract noise but then percussion picks up, complemented by bubbling rhythms and subtle strings. Dervishes are spinning, directed by one million sound layers, and signs ofRead More →
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