Techno shamans from Polar Inertia keep demonstrating their prowess with the third EP on Dement3d, when “Kinematic Optics EP” drops after convincing “Indirect Light” and “The Last Vehicle”, both among most sought-after releases of the Paris label. Polar Inertia reports nothing new about their biographical details and it is also irrelevant, seeing how capable theyRead More →

New Cylob creates some random associations. In 2002, the UK artist was DJing at the Estonian Academy of Arts in Tallinn, offering a blazing set where Cylob’s own version of “What Shall We Do With A Drunken Sailor?” was a highlight. He shared the night with the Rephlex teammate Ed DMX, whose palmares include the kick drum slaughterRead More →

Reaktivate is a label from the harbour city Porto, Portugal, the majority of its output coming in digital format, for DJs fuelling the techno floor. Of recent outings, it is worth to mention Jönsson Tõll’s wonderfully titled “Mulla Ei Oo Aavistustakaan Mitä Tää Kaikki Paska Suomeksi Tarkoittaa”, a tribute to Finland containingRead More →

Oddly enough, the Eastern bloc regimes that practised bogus communism, tolerated sci-fi themes in arts and literature, despite of treating suspiciously anything what seemed even a little bit ambiguous. In the times when artists had to live with constant unease of having their works censored, may it be for wrongRead More →

The signals are loud and evident, when Ultradyne transmit on the assigned frequency from their interstellar refugium. Looking back to two decades in action – their tale started in 1995 with “E Coli EP” on Warp – the enigmatic producers from Detroit keep cruising in the extreme end of theRead More →

For me, Stave begins with the EP “Trust” on the Irish Trensmat, which now has sadly entered cold storage, as the label put it. The tracks were scripted in harsh machine language, including an outstanding remix by Israel Vines. It was in 2013, but Jonathan Krohn, a Chicago electronics artist behind Stave, wasRead More →