Andrew Morgan’s Peoples Potential Unlimited introduces another hidden talent. Max E. Monroe, the man behind The Trash Company, started composing in 1970’s and is only now preparing his first album for Steady Sounds. Before that, a single works as an appetizer. The A-side of the wide-hole seven-inch suggests to wearRead More →

If the demand for tape decks would skyrocket, Seattle’s Further Records is a culprit behind the trend. They come again with several cassette releases, which are, for the not-so-cools, available in digital too.Two artists have contributed to a split album. It’s opened by Ekoplekz of Mordant Music fame, who inRead More →

Known for tweeting graphic codes, Triangleforever has now outed as experimental musician with a digital album called “Brink Of Disapperance”. The Bandcamp page creates an impression of smoked glass placed on your screen, so the design wonders are not limited to the myriad of symbols on Twitter. The release itselfRead More →

For listening “Heliograms” living room is the minimum requirement because the album aims to the spheres well above the clouds, even higher than the normal cruise altitude. Crystal clear skies would be a perfect setting for a sacral experience with the music of Jean Piché. Especially the first composition, “Ange”,Read More →

It might sound as an exaggeration, but the upcoming single on Rabih Beaini’s Morphine Records is from another dimension. The effect is intoxicating, by means of sound and voice processing executed by producers at the very Olympus of today’s electronic music.Two tracks from the label’s back catalog have been pickedRead More →

After being enthused about Innercity’s seven-inch on NNA Tapes, a message by the artist announcing a free album full of electronic psychedelia raised new expectations. “Cyber The Last Grind”, a compilation of Hans Dens’ recordings from 2009 to 2011, is a maze of nonconformist sound experiments under the veil ofRead More →