Four electronic grotesques in ten-inch format, pressed as short but concise 45 RPM tracks. The feast starts with the title “Power Outage”, which feels like a demonic shrink session during blackout, with Alan Vega type of manic recital on accelerated knocking-on-wood beat of Amii Stewart. Next one, “Fabrics”, features EBM-friendlyRead More →

Despite of strong electronic connotations this EP is not related to Modern Love, a visionary techno imprint from Manchester. Because Max E. Monroe, the artist behind The Trash Company, composed the tracks about 20 years ago and these were initially rejected by Capitol Records. Until recently Monroe from Richmond, VirginiaRead More →

Clearly filed under synth-pop, White Blush release smells like Commodore and 808. Originally from Chicago and now hailing from Los Angeles, Carol Rhyu, is obviously fond of vintage gear and neon sounds when she, the mind and soul behind the White Blush, presents a definition of urban daydreaming on the self-titledRead More →

Once a year Estonian sci-fi and horror fans meet at Estcon to spend a few days in the nature with beer and fantasy. The focus is on literature and storytelling, but these good folks with expanded cultural horizon like the music too. This year all participants were eligible for “EstconRead More →

Heinrich Dressel, half-brother of Franz Falckenhaus and cousin of Klaus Weltman, embarks on a new synth and wave mission for the Italian outlet Mannequin. Travelling with a passport issued to Valerio Lombardozzi, the producer from Rome has recorded under the Composite Profuse alias and is closely associated with contemporary schoolRead More →