Rating: 9/10 Pff…dff…zhlkk…ghzz. A rational mind has spoken and composed fourteen interpretations on the theme “Uni”. Despite built on metallic loops and particle noise, the album sounds very sterile, coming like from a whitewashed, even clinical environment.Among the tracks you find experiments with Balinese bells and asymmetric sound channels, will beRead More →
The countdown has begun, to the reissue of the year. “Journey of the Deep Sea Dweller”, the first in the Drexciya’s retrospective, when Clone Classic Cuts brings it to us in December 2011. Those in possession of hard-to-find original EPs might be irritated about this mission scrapping the back catalogue’sRead More →
Rating: 7/10 Some good ones on this Groove compilation. Let’s start with a Mexican who loves machines and combines them with traditional instruments: like a godchild of Liaisons Dangereuses, Rebolledo rocks big time in “Steady Gear Rebo Machine” with monotone percussion – a pretty angry track that makes curious aboutRead More →
Rating: 9/10 Amidst the wires of copper and plastic, Stingray313 travels in a jungle of semiconductors to drop another futuristic session for electro heads. Billed earlier as “Drexciyan DJ”, the masked man from Detroit is gradually navigating on his own ways and is clearly positioned in the frontline of contemporaryRead More →
Rating: 9/10 A test pressing of Non Plus Records presents a new EP by Kassem Mosse, mainly known for his much-praised Workshop and Mikrodisko releases. Often difficult to file under any particular subgenre, Gunnar Wendel is an electronic artist who continues to pursue cross-breeding of techno, house, electro and others.TheRead More →
A classic that perfectly represents Underground Resistance’s sound aesthetics from the mid-1990s. In the label’s catalog it might look a bit underrated, but in fact offers three tracks of pure excellence by Andre Holland aka The Infiltrator. For the start comes meditative electro in “City Of Fear”, themed for a situationRead More →
Rating: 9/10 Sounds from the far side where mud people eat stones, and the last remaining pterosaurs are hunting them. On the A-side it’s not even mud, it’s the act oddly called Shitcluster that runs its own thing, sharing a bad dream filled with eerie sounds from the caves. CityRead More →
Rating: 10/10 What I see on the label are the portholes of a flying saucer. What I hear is a stratospheric soundtrack, on the third release of the Aquaplano Ltd series. After droning and hollow techno journeys by Nuel and Mike Parker, it’s again the Italian Manuel Fogliata who, insteadRead More →
Rating: 7/10 Catalog number 52 is my first Hyperdub and my first Hype Williams. The label that introduced Burial might be searching for new directions as I can’t find any dubstep here. The question is, what genres does the record represent as in many aspects “Kelly Price …” is moreRead More →
Rating: 10/10 Acid is in the house when plenty of producers cherish the genre’s history and reproduce bubbling tracks that smell after warehouse parties. In the same new releases sometimes try to reinvent something reinvented a while ago and but there are exceptions, such as Lory D and his firstRead More →