After impressive debut on Sähkö’s sub Keys of Life, Niko Pettersen aka Teersom launches own Basement Grey Records with barren tracks carried by wobbly percussion. In the EP named after Norway’s northernmost island Magerøya, the man from Turku in Western Finland, and the city of Sähkö Recordings, heads to frozen trails in the other side of the 60th parallel north. For “WaterRead More →

The artwork of “Konstellaatio” gives a clue to the foundations of Mika Vainio’s new album as Ø. It’s about summers in the Nordic countryside, grandma’s mythological tales from the memorable days between self-indulgence, when kids went picking wild strawberries under the burning sun, and suspense, when they were spying at a hauntedRead More →

Of two artists behind the release, Croatian native Mate Galić was in the frontline of early German techno and hardtrance movement. Later he could not resist the call of shimmering screens and became a host for VIVA music channel, before moving to managerial positions at Native Instruments and being now theRead More →

After vagabonding across the labels of the world Terrence Dixon’s search for a theorem of perfect minimalism has now led him to own personal imprint called Reduction, a move long overdue in the light of his prolific output in recent years. The label’s first EP “The Rewriting Of An Expression IntoRead More →

At first glance, “Tia” makes deliberately an odd impression with shaky percussion and electromagnetic disturbance, as of low-end equipment would have been used. But this is just a transient disguise before Teersom’s 12-inch on Sähkö’s sublabel Keys Of Life reveals its very essence and brings deep and fresh sounds toRead More →

The year 2012 has been marked by Terrence Dixon’s domination, as we have seen a rush of releases by him, particularly the excellent new album on Tresor. Most recently a glimpse to the history books has been offered by Delsin when they reissued two Population One tracks. Now comes anotherRead More →

The news that Peacefrog Records is celebrating the 20th birthday big time  – by repressing many out-of-print classics like DBX’s “Losing Control” –  is a good reason to return to this seminal release. Considering that in 1994 also Robert Hood’s “Minimal Nation” came out, it was a superb year for minimal(ist)Read More →