Oddly enough, the Eastern bloc regimes that practised bogus communism, tolerated sci-fi themes in arts and literature, despite of treating suspiciously anything what seemed even a little bit ambiguous. In the times when artists had to live with constant unease of having their works censored, may it be for wrongRead More →

This is another edition of the “Promos & Classics” series. While most of the tracks used in this mix are new and belong to those that have caught my attention recently, it features also 1990ies material. Please meet Steve Stoll’s and Damon Wild’s project Voyager 8, Detroit’s Scan 7, Oliver Lieb’s Solieb project, ACV’s Riccardo RocchiRead More →

Tracklist: Social Interiors – Lucas Heights (Extreme) Man In Maardu – Euromant (Trash Can Dance) Ilpo Numminen – Osa 1 (Vuosi) Aïsha Devi – Throat Dub (Tool) (Danse Noire) Septic Shock – Adult Vainio / Väisänen / Vega – Sick Sick USA (Blast First) Nukubus – Skylark (Louis Guilliaume’s NewRead More →

Deep respect is due when encountering the works of late James Stinson, an acclaimed personality in the evolution of (Detroit) electro. Abandoning our world far too early, Stinson left behind a vast legacy, of which Tresor Records reopens another chapter. “The Opening Of The Cerebral Gate” under the Transllusion guiseRead More →

Actually, it was “Ultraviolence”, Lana Del Rey’s album that triggered current post. The American lady singer is obviously light-years away from doom metal and even hardcore techno, which had never been the case for Nottingham-based Earache Records, once a home label for Napalm Death. Somewhat surprisingly Earache went hardcore inRead More →