Rating: 9/10 Bethany is a girl who, ironically, performs under the moniker Skirt. Catalog number HG07 marks a convincing debut by Bethany DeMoss, hailing from Texas and now living in the UK techno metropolis Birmingham. As DJ she has been spinning industrial and harder sounds and it feels here. TheRead More →
Limited edition of 100 and handmade details are only secondary factors why to get excited about this record that is my first encounter with Spanish outlet Semantica and the work of the label head Svreca, by the passport known as Enrique Mena. Those seeking loud techno bangers on the releaseRead More →
Repetitio est mater studiorum, repetition is the mother of learning. The introductory lesson lasts 10 minutes 46 seconds and is titled “130509”. A blunt, even too blunt loop keeps going like Du**cell bunny, only the whole experience is not as soft and furry. It’s self-confident, sterile techno that advances inRead More →
VVV – vicious, vibrating, volcanic. A joint ritual by Alan Vega, former vocalist of the protopunk combo Suicide, and Finnish masters of low frequencies Mika Vainio and Ilpo Väisänen, better known as Pan Sonic. Caution: Listening to this could harm your artificial pacemaker or other electronic appliances. A nasty startRead More →
No cheese and chocolate from Switzerland but glowing steel and whispering elves in the first release of Hinterzimmer Records. Label founders Reto Mäder and Roger Ziegler have teamed up with turntable instrumentalist Christoph Hess (Strotter Inst.) and two other performers, to produce an album for advanced listening and darker dancefloors.Read More →
A sinister piece that chops your mind like a guillotine. It’s a definition of hardcore techno in 2010: the BPMs do not rush but the atmosphere is utterly dark and compelling. “C U 1” on the A-side is a Spartan journey with straightforward metallic beats and all kind of inhumanRead More →
There is a tunnel. And there is light at the end of it. Or is it the Black Hole when Emptyset takes us to the world of shades? Starting with hardly audible hum “Aleph”, the A-side is filled with evil growling of machines that accelerate slowly – pitching 33 RPM recordRead More →
Anatoli Alexandrovich, whoever he is, made this album in 2002. A musical insight into the more or less glorious days of the Russia’s history, painted with minimal and noise-influenced experimental compositions and spiced with sound fragments like worshipping of Stalin in Finnish-language, Karelian folk song and clinking of swords. “Спутник”Read More →