About two years ago I fiddled around with my old school favourites from the ’90s for a mix called “Barely Under 140 BPM”. Now it’s time for the second edition, which includes tracks from German hardcore labels, such as PCP, Labworks, Super Special Corp., from US outlets Drop Bass Network and Temple Records N.Y.C., as
We can’t speak of the ‘fuck’ shortage in the music around us, as there are about 50,000 related hits in Discogs. Although the word itself is not enough for rebellion, the artists feel often tempted to see ‘fuck’ as a way to self-expression, which has led to a number of tracks balancing between
Keywords like ‘Marc Acardipane’, ‘1990s’, ‘hardcore’, ‘Midwest rave’ have always alerted New York techno and synth wave artist Shawn O’Sullivan (Vapauteen, Further Reductions, Led Er Est). He belongs to the scene activists who believe that hardcore and acid techno played an important role in the evolution of 1990s electronic music. Hoover effects,
Actually, it was “Ultraviolence”, Lana Del Rey’s album that triggered current post. The American lady singer is obviously light-years away from doom metal and even hardcore techno, which had never been the case for Nottingham-based Earache Records, once a home label for Napalm Death. Somewhat surprisingly Earache went hardcore in
Already topping my Juno chart in August, Aisha Devi’s blistering EP deserves a closer look. Foremostly known as Kate Wax, Devi gives a new meaning to girl power on her own Danse Noire imprint.The Swiss-born, half-Tibetan producer, once a regular in the roster of Mental Groove, offers in the new release
A selection of most exciting records from August. Switzerland’s Aisha Devi, replacing her Kate Wax alias with the real name, impresses with hardcore-inclined experimental EP “Hakken Dub/Throat Dub” on own Danse Noire imprint. Seasoned techno pal Surgeon still in strong form, dropping “Fixed Action Pattern“, a two-tracker of infectous grooves and deep drones.
Release date is in June 2014 “Paris / Berlin” descends to places where the strobe lumens are in stark contrast to surrounding darkness. This is techno underground, researched and explained in recent one-hour documentary “Paris / Berlin” by Amélie Ravalec, a French film maker and scene activist. She runs with