New Hotflush is not for claustrophobic dubstep caves but for garden gatherings along sizzling barbecues and fizzy drinks. Sun lotion is recommended when using Praveen Sharma’s and Travis Stewart’s burning new release. The title track on A1 is a soulful and mild piece, combining pitched up deep house elements withRead More →
Pablo Bolivar, a Spanish producer behind several minimal house releases, and Aphro Sainz have teamed up as Pulshar. The original “Sacrifice of Love” is a soft-couch-song with subtle dub techno lines, and “Mantistyle” (Deep’s Edayar Remix) is not much different, reminding of the output of Sub Static and other German labelsRead More →
Night Slugs had a decent launch and current one follows the same paths of smooth UK garage and house productions. A friendly outing by Egyptrixx to accompany the journeys in the London Tube outside peak hours.On the A-side “The Only Way Up” is packed with snare and solid bass alongRead More →
Lingerie girls on the sleeve and bargain price were the drivers behind the purchase of this 2009 record with three interpretations of “Fragment One (…And I Kept Hearing)”. A-side is filled with a remix by Sweden’s Style Of Eye, a family-friendly pop track with hints of shuffle and minimal house, that wouldRead More →
A good present for a young-at-heart lady celebrating her 52nd birthday. She definitely remembers the disco days and is fond of pop music. Well, Scandinavians have done a cute record full of disco hooks, guitar riffs and honey-like vocals. I have to admit my doubts before the purchase as itRead More →
Estonia, land of music. Modern composer Arvo Pärt was born here, in a small town called Paide, and every five years a monumental Song Festival gathers 30,000 performers and 150,000 paying spectators for a celebration of music – in a country with less than 1.4 million people. First house andRead More →
This is pure prejudice to think that To Rococo Rot, being around for years, does music for salons and art exhibitions only. However this is the first time the group makes an entry to my record shelf. I have to admit that seeing two interpretations in addition to the originalRead More →
The clash of the guys equipped with laser swords, one side for both of them. Low Limit loves a dirtier mix of electro and dubstep, experimenting with rhythms and varied percussion. All three tracks splatter like fountains in front of the cheering old school fans. “Where You Been 7.0” isRead More →
Raoul K, hailing from Côte d’Ivoire and Hamburg, presents a new gem of his (sub-)label. While Baobab’s first, “Le Cercle Peul” from 2008, was a smooth and unpretentious tribal house then especially the A-side of current outing is a fierce voodoo. More industrial than house, reminding of Jamal Moss’s rougherRead More →
Third record in the Cottam series, from the UK and this time with a green label. Intensive and tribal-minded track on the A-side reminds of Teknotika. Rhythm hits hard but the overall composition is rather dull. B-side is deeper and shows some evolution. Bass is charging and in the middleRead More →
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