Abdulla Rashim, Stockholm’s enigmatic master of droning deepness, has taken on a remix duty for Albert van Abbe’s label No Comment. The result is outstanding: equipped with a dubbed-out loop, gentle percussion and hi-hats, Rashim impressively wanders in lunar dust. Albert’s own 10-minute “NCS_5600200512 [V2]” convinces with bass throb andRead More →

When I was reading “Der Klang der Familie”, a book about the foundations of techno and party scene in Berlin, it was the right time to recall some classics from the beginning of the 1990s. MFS, an acronym for Masterminded For Success, was an influential label back then, specialising onRead More →

It might sound as an exaggeration, but the upcoming single on Rabih Beaini’s Morphine Records is from another dimension. The effect is intoxicating, by means of sound and voice processing executed by producers at the very Olympus of today’s electronic music.Two tracks from the label’s back catalog have been pickedRead More →

L-Vis 1990 in the ghetto for a booty-shaking and testosterone-dripping jaunt, in full compliance with old Chicago traditions. In a broad and load manner the UK youngster drops five striking cuts sounding like Dance Mania on steroids. “Workout” kicks in the best a**-n-ti**ies style, but real gems are “Video Drone”,Read More →

Duplex is an essential European outpost for Detroit’s electronic music heritage. In their newest release for the Harbour City Sorrow imprint, Chris Aarse and John Matze have succeeded in producing a perfect set of Motor City influenced tracks showing the innovation one would expect from techno’s birthplace itself. Duplex hasRead More →