In the beginning of 1990’s Bruno Sanchioni and Giuseppe Chierchia filled global dancefloors with the captivating trance hymn called “Age of Love”, produced under the self-titled moniker. The number of different releases, reissues and remixes of this single competes already with some songs of The Beatles. The inaugural release ofRead More →
The name Parandian may sound Armenian but the artist here is a Universität der Künste student from Berlin with a heritage of folk music and classics. A-side is a percussive, synth- and FX-filled voyage in a dark tunnel with barking echoes and a remote tribalistic chorus – here and thereRead More →
Juju & Jordash are Gal Aner and Jordan Czamanski – two Amsterdam residents who met for the first time in Haifa at end-1990s, have produced their first longplayer that is colorful like a greengrocer’s stand at a Jewish market. The self-titled album kicks off with “Deep Blue Meanies“, an easy-goingRead More →
Raoul K, hailing from Côte d’Ivoire and Hamburg, presents a new gem of his (sub-)label. While Baobab’s first, “Le Cercle Peul” from 2008, was a smooth and unpretentious tribal house then especially the A-side of current outing is a fierce voodoo. More industrial than house, reminding of Jamal Moss’s rougherRead More →
SITS 002 is an extraordinary release. It’s the first Mills production in ten years that lands in my collection (the previous one was “Metropolis”), although his early catalogues of Axis, Purpose Maker and Tresor are well represented in the shelf. “The Purpose Maker EP” and “Waveform Transmissions Vol. 1” stillRead More →
The snowbanks outside provide a good inspiration to compare the Cheap And Deep Productions twelve with an avalanche. It’s as powerful and overwhelming but, unlike the unharnessed power of nature, this experience is taking you over in slower motion – till you find yourself buried under it. The first, theRead More →
Chicago v. 2.0 – this label of Poindexter and Moss carries proudly the flame that was lit in the 80’s in Windy City, and they excel both in yield and quality. Current compilation has again picked up various musical influences and starts with Sir KaTie and “Shout” that speaks toRead More →
There is a tunnel. And there is light at the end of it. Or is it the Black Hole when Emptyset takes us to the world of shades? Starting with hardly audible hum “Aleph”, the A-side is filled with evil growling of machines that accelerate slowly – pitching 33 RPM recordRead More →
A release from 1996 that feels like having baptised the Transmat sublabel – two fragile, extended sound excursions that hover between ambient and trance. In fact, it’s pure and deep chord-driven Detroit techno with dub motives, like we know from John Beltran or Aril Brikha. With only one difference: drumRead More →
Hood, one of Detroit techno greats ended his period of hibernation at the end of noughties and this release is a superb present for the admirers of mature analog sounds. Gurus are sometimes inclined to repetition of earlier works, Jeff Mills being one of the examples. But his pal HoodRead More →