The title “Cosmic Cannibals” may sound like from a 1970’s Southern European B-movie, but the suspense provided by this four-track EP belongs to the category A entertainment. Shad T. Scott aka Gosub, who has been behind acclaimed electro tunes over the decades, escorts our imagination to the remote ends ofRead More →

For the launch of the self-titled label, electronic music enthusiasts from Minimal Detroit have summoned artists from both sides of the Atlantic, which may explain why the EP is called “The Bridge”. The A-side features local heroes from Michigan, perpetual minimalist Terrence Dixon opening with tight “The Musical”, which isRead More →

New tracks from the Estonian techno project Killerkat, a driving force behind the HALL club in Tallinn, who is playing on the 1990’s pitch in the first halftime. Rooted in the spirit of Harthouse and Superstition, semi-trance “Ripple Drift” is paving the way to my favorite, “Cherry Tree”, a matureRead More →

Competing by the number of aliases with Legowelt, Kirill Junolainen is undoubtedly a very productive artist, and since the last year his focus has been on the electro project Konerytmi (‘Machine Rhythm’). Born in Russia, but now closely connected to Finland, a country of his ancestors, Junolainen has been involvedRead More →

My first contact with I-Robots was a compilation with 1980’s italo smashes like “Spacer Woman”, “Penguin’s Invasion” and others, which well substituted  a painstakingly expensive mission of acquiring the originals on wax. Behind I-Robots and Opilec Music is the Italian Gianluca Pandullo whose mission is to unite sounds from differentRead More →

Here are Terminal 313’ snapshots of the previous month, expected to become a more or less regular section of the blog. Techno of the month: Air Protection Office – Untitled (SEMANTICA 128) After much-awaited reissue of Ed Chamberlain’s 2013 EP, Semantica’s consistent delivery of great sounds continued with a tapeRead More →

Although partying and club going was very limited in 2020, there were several tracks that would have worked on the floor or were just neat tunes for humming along. Distinctive in hindsight, to be remembered in a blind test in a few years time and ‘catchy’ in a good sense.Read More →