My first contact with I-Robots was a compilation with 1980’s italo smashes like “Spacer Woman”, “Penguin’s Invasion” and others, which well substituted  a painstakingly expensive mission of acquiring the originals on wax. Behind I-Robots and Opilec Music is the Italian Gianluca Pandullo whose mission is to unite sounds from differentRead More →

Here are Terminal 313’ snapshots of the previous month, expected to become a more or less regular section of the blog. Techno of the month: Air Protection Office – Untitled (SEMANTICA 128) After much-awaited reissue of Ed Chamberlain’s 2013 EP, Semantica’s consistent delivery of great sounds continued with a tapeRead More →

Although partying and club going was very limited in 2020, there were several tracks that would have worked on the floor or were just neat tunes for humming along. Distinctive in hindsight, to be remembered in a blind test in a few years time and ‘catchy’ in a good sense.Read More →

Hardly any daylight penetrates the depths of “A Warm Place”, which is furnished with low frequency roars of unknown species. So begins Tomas Jirku’s new album “A Philosophical Enquiry Into The Synesthetic  Experience Of Touching The Sublime”, as the full title reads on the sleeve. Released on Canada’s Silent Season,Read More →

It’s about the year 1993 and a journey between Zeebrugge and Dover, for discovering repetitive beats both in the CO2-rich industrial areas of Albion and the Continent. Recently, the call of desolate warehouses and vast outdoor venues of bygone times has become very common in electronic music and Sansibar takesRead More →

Further Reductions is a lovely outfit from Brooklyn, NYC that is welcomed back on the Dutch label Knekelhuis with deviant house hypnosis from the duo’s members Shawn O’Sullivan and Katie Rose. O’Sullivan, a versatile electronics trooper with equal interest in Planet Core oldies and cold wave, is engaged in swayingRead More →

***** Datafreq Vs. Hozerz (Paper+Sound Paplus6 – 2020) What sounds like a mystery entry from the catalogue of Definitive, Toronto’s nineties imprint with yellow labels, is actually a collaboration of Dave Rout, Kris Helstrom and Heiki Sillaste – all seasoned artists from the Canadian metropolis. When looking at the arrayRead More →

Dutch synth anarchists Staatseinde are appearing on the label Lo Phi Forms that this year launched with “Danger EP”, an aptly titled slab of acid frenzy from Klankman. With this promising notion, the three-man group has invited a choir of fairies to jointly introduce the release with Wagnerian intro “Staatsanthem”Read More →

Gary Martin and Teknotika have never entirely disappeared from the picture, despite of irregular publishing schedule of the last decade. A period of absence followed to the 2015 single “Miriam / Beauty In Pain”, until the artist reappeared last year with a perfectly good EP and has now completed “Berlisque”Read More →