Ludovic Navarre, once the frontman of the late Fnac Records, was worldwide acclaimed under the St Germain moniker with smooth and jazzy house (“Boulevard”, “Tourist”) that was enjoyed millions of times in living rooms and lounges around the world. Although being influenced by Detroit, Navarre did his only acid record
Now for something really dusty, on a tape: Could be the mother of all mid-1990s techno compilations. No time to lean back, it’s a full-on jaw-dropping trip of pulsating and pumping techno. Dating back to 1996, this compilation features landmark techno from many legendary artists and labels like 7th City, Synewave,
Omar-S here with a huge acidic footprint that’s not made in the sand, we just have to identify the whereabouts of these steps. Cities ashore of Great Lakes have produced essential pieces of house and techno and Chicago was the epicenter of acid.But Alex.O.Smith remains in his first encounter (correct
A drop-dead serious session by Rohr and Schoenemann, and by their remixing friends. It’s music of November, sounding like the moments when you have stayed inside and hear whirlwind trying to unroof your den. And the weather forecast tells it will not be any better.The original is a creeping and
Raoul K, hailing from Côte d’Ivoire and Hamburg, presents a new gem of his (sub-)label. While Baobab’s first, “Le Cercle Peul” from 2008, was a smooth and unpretentious tribal house then especially the A-side of current outing is a fierce voodoo. More industrial than house, reminding of Jamal Moss’s rougher
Psycho Thrill shows signs of life. A Cologne label that has been in business for a decade and attracted several great players from Detroit, for example Thomas Barnett and Optic Nerve. A new signing is Manager 111, or German Andreas Gehm, who has produced a remarkable record to remember from 2008.