Omar-S is a real Motor City man: Produces rough tracks and has a proper day work in automotive industry, at the Ford Motor Company. Been very busy this year and may have needed extra night hours to keep up with the publishing schedule. Now simultaneously with “All I Do”, aRead More →
Black Cow is not an expert of animal breeding: The horned creature pictured on the label is a courageous bull, not a cow. But this observation is irrelevant because the music is worth checking. By style the seven-inch from Japan moves between soul and funk, with two quite differently soundingRead More →
Recent soccer tournament made the world think that for South Africans vuvuzela is the only instrument they know – definitely a grave misinterpretation. As a recent example of successful South African music, take Elvis Maswanganyi AKA DJ Mujava and his “Township Funk”. Or from earlier times, minimal and micro houseRead More →
After a diving session in the deep waters of exotic disco and funk, Dom Thomas has brought to the daylight a selection of more and less glittering corals. It’s not the return of golden oldies but a parade of unknown cuts and edits mainly smelling so end-1970’s. The man fromRead More →
New Hotflush is not for claustrophobic dubstep caves but for garden gatherings along sizzling barbecues and fizzy drinks. Sun lotion is recommended when using Praveen Sharma’s and Travis Stewart’s burning new release. The title track on A1 is a soulful and mild piece, combining pitched up deep house elements withRead More →
Not much innovation was used when this release was titled, the same can be said about the label name, Underground Quality.But here we have a decent four-track EP full of percussive deep house. Qu did the A-side and kicks off with technoid feel in “Runwitit”, a slo-mo and minimal drumRead More →
The clash of the guys equipped with laser swords, one side for both of them. Low Limit loves a dirtier mix of electro and dubstep, experimenting with rhythms and varied percussion. All three tracks splatter like fountains in front of the cheering old school fans. “Where You Been 7.0” isRead More →
Juju & Jordash are Gal Aner and Jordan Czamanski – two Amsterdam residents who met for the first time in Haifa at end-1990s, have produced their first longplayer that is colorful like a greengrocer’s stand at a Jewish market. The self-titled album kicks off with “Deep Blue Meanies“, an easy-goingRead More →
In Iran, the era of Mohammad Reza Pahlavi come to an end in 1979. In a word, with shah’s escape the party was literally over. Current compilation of the sixties and seventies Persian funk and pop by Finders Keepers, the label that has a nose for great tunes from dustyRead More →
In Detroit’s newer deep house scene, Marcellus Malik Pittman is one the great names, along with Kenny Dixon Jr, Rick Wilhite and Theo Parrish – you certainly know the score. However, the title track of Pittman’s “Erase The Pain” left me a bit puzzled: The further it goes, the more annoyingRead More →