Some interesting finds from a box of vinyl stowed between kitchenware and 1990s jumpers in a second hand outlet. Because of limited time for browsing I just grabbed seven items and now I’m pretty happy with the outcome. Really no techno but the first one, “Supertrax Vol. 1” from 1983, featuresRead More →
Andrew Morgan’s Peoples Potential Unlimited introduces another hidden talent. Max E. Monroe, the man behind The Trash Company, started composing in 1970’s and is only now preparing his first album for Steady Sounds. Before that, a single works as an appetizer. The A-side of the wide-hole seven-inch suggests to wearRead More →
Peoples Potential Unlimited, a label from Washington DC, is on a mission to excavate forgotten treasures of funk and soul. It was only recently when Andrew Morgan’s label issued a seven-inch by Uku Kuut, bringing the artist’s past not only to the consciousness of native Estonian audience, but also attractingRead More →
Rating: 7/10 Catalog number 52 is my first Hyperdub and my first Hype Williams. The label that introduced Burial might be searching for new directions as I can’t find any dubstep here. The question is, what genres does the record represent as in many aspects “Kelly Price …” is moreRead More →
Rating: 8/10 Synth freak Danny Wolfers continues his explorations in soulful disco and funk under the Nacho Patrol moniker, delivering a genuine-sounding fiesta of vintage grooves. Except of the knowledge that this record has roots in black music, the references to Africa remain limited and one should not expect anyRead More →
The heat is on at Sofrito; after vintage afro club funk of “Soweto Disco” they come with a 2010 repress of “Tropical Discotheque EP”, carrying the same power and emotion as known from Sofrito’s previous releases. No artist credits but four edits or reworks of thriving floor tracks: A-side isRead More →
For a review about Uku Kuut’s album “Vision Of Estonia” (2012), please click here. The sounds of the seven-inch are going right under the skin and it might be easily vintage funk and soul, rooted in American cities like New York or Chicago. But Peoples Potential Unlimited (PPU), a label from WashingtonRead More →
Omar-S is a real Motor City man: Produces rough tracks and has a proper day work in automotive industry, at the Ford Motor Company. Been very busy this year and may have needed extra night hours to keep up with the publishing schedule. Now simultaneously with “All I Do”, aRead More →
Black Cow is not an expert of animal breeding: The horned creature pictured on the label is a courageous bull, not a cow. But this observation is irrelevant because the music is worth checking. By style the seven-inch from Japan moves between soul and funk, with two quite differently soundingRead More →
Recent soccer tournament made the world think that for South Africans vuvuzela is the only instrument they know – definitely a grave misinterpretation. As a recent example of successful South African music, take Elvis Maswanganyi AKA DJ Mujava and his “Township Funk”. Or from earlier times, minimal and micro houseRead More →
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