The wallets of classic electro addicts have been challenged around the Christmas time when several reissues have showed up. Detroit’s Direct Beat recalls early days with “Bass Magnetic”, the only album of James Stinson’s Lab Rat XL is the newest addition in Clone Aqualung series, mysterious Scopex material was reissuedRead More →

In 2017, Stefan Schwander has returned to the limelight with his Harmonious Thelonious project, when new releases have appeared on Kontra-Musik, Versatile and most recently on The Trilogy Tapes. “Ayranman EP” was published already in the summer and it marks the artist’s return to the Düsseldorf label Disk, formerly knownRead More →

As everyone would guess, Detroit’s electro and bass label Black Bottom Records got its name from the area located on the city’s east side that was named Black Bottom by French settlers because of its fertile and dark soil. For the label, the ground has not been too fertile becauseRead More →

From the border area of Norfolk and Suffolk arrives Houndstooth regular Alec Storey aka Second Storey, to continue TRUST’s impressive run of far-out electro releases. Not keen to duplicate purist, Drexciyan sound of the ongoing electro boom, the Austrian label is stubbornly searching its own way as heard on previousRead More →

Saint Abdullah, a project by two US-Iranian brothers, was introduced to the world with the track “Mossadegh’s Revenge For 52” on Boomarm Nation’s spectacular “Family Album 2017”, a digital compilation from the experimental side of dub and world music. Prior to that, the duo had promised intense cross-cultural experience with someRead More →

Another gem has landed on Hard Beach Entertainment, with the label’s second EP from DJ SCSI who is making a leap from relative anonymity to deep appreciation in electro community. Initially regarded as ‘new’ artist, DJ SCSI actually debuted in 1997 for the Detroit label D-Bass but thereafter the aliasRead More →