You will be well boiled and cooked when listening to that. A cannibal feast is introduced with “Angewandte Muziek” where dry and fierce percussion accompanies the track. Crowd exclamations and synth drum wildfires leave no doubt that you have been stranded on a remote island somewhere in the Southern hemisphereRead More →
Skulls at large again. Planet Core Productions’ (PCP) hardcore machinery plays with breakbeats but manages to create even darker and gloomier atmosphere than in their usual kickdrum-infected rave monsters. The tracks do not suffer under self-imposed speed limit and relative slowness makes them even harder. “Black Blood” is massive: startsRead More →
A sinister piece that chops your mind like a guillotine. It’s a definition of hardcore techno in 2010: the BPMs do not rush but the atmosphere is utterly dark and compelling. “C U 1” on the A-side is a Spartan journey with straightforward metallic beats and all kind of inhumanRead More →
Back off, keep off – this bunch has to be isolated from the society because it’s not music. It’s terror. And it’s error. V/Vm is like 100-watt light bulb that attracts all kinds of weird insects. Purgatorian parasites and bugs gone berserk crash your ear canals and paint their graffitisRead More →
There is a tunnel. And there is light at the end of it. Or is it the Black Hole when Emptyset takes us to the world of shades? Starting with hardly audible hum “Aleph”, the A-side is filled with evil growling of machines that accelerate slowly – pitching 33 RPM recordRead More →
Drums in excess in the first release of Diskant, a label based in Düsseldorf, the birthplace of Kraftwerk. “Inside Palace” promises musique concrete and abstract noise but then percussion picks up, complemented by bubbling rhythms and subtle strings. Dervishes are spinning, directed by one million sound layers, and signs ofRead More →
A procession is dragging their feet in a cobbled street, squeezed between dark and ancient town walls. Hooded beings feel the fatigue in their feet and what is eating them? Are they still in a shock about the execution of a despotic landlord or are they ridden with fear after having learnedRead More →
Kaks ketast täidetuna tehnoveterani, kuid viimasel ajal eksperimenteeriva ning biitidega mängiva Neil Landstrummi toodanguga. Plaadi nimi lubab oodata kummardust “Planet Rockiga” elektro ajalukku vajutunud Afrika Bambaataale, kuid tegelikkus on midagi muud. Rütmid kargavad siia-sinna, meenutades kohati Electronicati ja big beati artiste. B-poole esimene “How do you feel” sisaldab kõiki koostisaineid,Read More →
Lugupeetud muusikasõbrad, Ameerika Ühendriikide plaadifirma Matemaatika on toonud teieni instrumentaalansambli Suur Suu uue teose pealkirjaga “Breemeni orkester”. Nimetatud Saksamaa Liitvabariigi sadamalinnast inspireeritud plaat sobib nii kollektiivseteks tantsuõhtuteks kui ka sektsioonkappi paigutatud koduse stereosüsteemiga kuulamiseks… Tänapäeva kõnepruuki naastes tuleb esiteks tõdeda, et tormakamate acidist nakatunud plaatidega tuntuks saanud Mathematics Recordings üllatab.Read More →
Anatoli Alexandrovich, whoever he is, made this album in 2002. A musical insight into the more or less glorious days of the Russia’s history, painted with minimal and noise-influenced experimental compositions and spiced with sound fragments like worshipping of Stalin in Finnish-language, Karelian folk song and clinking of swords. “Спутник”Read More →