A promo of ASC’s new album. The opener, “Phobos”, is the best one here – a compressed mosaic of bass and dub that bears some concealed aggression. A mystic male voice promises something’s gonna happen, assisted by an exotic yell and the sound machine marches along like in former MilleRead More →
Enron would never have been collapsed if only the auditors would have been as precise as Silent Servant, the artist behind untitled opening tracks on both sides. Linear and controlled techno that sticks to hypnotic repetition but refrains from glass-shattering kickdrum assaults. It belongs to the same league of ozonizedRead More →
No cheese and chocolate from Switzerland but glowing steel and whispering elves in the first release of Hinterzimmer Records. Label founders Reto Mäder and Roger Ziegler have teamed up with turntable instrumentalist Christoph Hess (Strotter Inst.) and two other performers, to produce an album for advanced listening and darker dancefloors.Read More →
It feels like sitting in your favourite cafe and knowing the menu by heart but still enjoying familiar atmosphere and those sweet cakes. The label and the artist tell what to expect. Another strike from Strange Life Records featuring Smackos-like floating and spinning vintage synths with a certain concept, includingRead More →
Five untitled tracks on a limited and stickered white-label release. A1 is an animal with teeth of steel: hammering minimal loops remind of earlier Sähkö and Sleeparchive and sweeping acid lines fly all over the place. It’s a hypnotic and massive start but the rest of the EP is easierRead More →
Estonia, land of music. Modern composer Arvo Pärt was born here, in a small town called Paide, and every five years a monumental Song Festival gathers 30,000 performers and 150,000 paying spectators for a celebration of music – in a country with less than 1.4 million people. First house andRead More →
There is a tunnel. And there is light at the end of it. Or is it the Black Hole when Emptyset takes us to the world of shades? Starting with hardly audible hum “Aleph”, the A-side is filled with evil growling of machines that accelerate slowly – pitching 33 RPM recordRead More →
A release from 1996 that feels like having baptised the Transmat sublabel – two fragile, extended sound excursions that hover between ambient and trance. In fact, it’s pure and deep chord-driven Detroit techno with dub motives, like we know from John Beltran or Aril Brikha. With only one difference: drumRead More →
Lugupeetud muusikasõbrad, Ameerika Ühendriikide plaadifirma Matemaatika on toonud teieni instrumentaalansambli Suur Suu uue teose pealkirjaga “Breemeni orkester”. Nimetatud Saksamaa Liitvabariigi sadamalinnast inspireeritud plaat sobib nii kollektiivseteks tantsuõhtuteks kui ka sektsioonkappi paigutatud koduse stereosüsteemiga kuulamiseks… Tänapäeva kõnepruuki naastes tuleb esiteks tõdeda, et tormakamate acidist nakatunud plaatidega tuntuks saanud Mathematics Recordings üllatab.Read More →
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