Rating: 8/10 Without Sandwell District, the year of techno 2010 would have been unimaginable. Regis, Function and Juan Mendez, quality producers in the battlefields of electronic music, were teasing the crowds throughout the year and as a culmination did an awesome album. The vinyl was sold out virtually in a
Rating: 8/10 Fehlmann’s every new release is significant. After world-changing days in The Orb, and before that in Palais Schaumburg, one can expect the gentleman would spend quiet days in the Caribbean, after a man’s work in the world or music. But Fehlmann is still around and returns to Kompakt
Limited edition of 100 and handmade details are only secondary factors why to get excited about this record that is my first encounter with Spanish outlet Semantica and the work of the label head Svreca, by the passport known as Enrique Mena. Those seeking loud techno bangers on the release
I don’t have any idea what kind of offices does the label Delsin have, but can imagine a brass coated plate at their doorsteps saying “Detroit consulate in Amsterdam”. Also Ann Aimee, Delsin’s department for more intellectual output shares the values of the mother “company”.The newest by Delta Funktionen inclines
Repetitio est mater studiorum, repetition is the mother of learning. The introductory lesson lasts 10 minutes 46 seconds and is titled “130509”. A blunt, even too blunt loop keeps going like Du**cell bunny, only the whole experience is not as soft and furry. It’s self-confident, sterile techno that advances in
Enron would never have been collapsed if only the auditors would have been as precise as Silent Servant, the artist behind untitled opening tracks on both sides. Linear and controlled techno that sticks to hypnotic repetition but refrains from glass-shattering kickdrum assaults. It belongs to the same league of ozonized
No cheese and chocolate from Switzerland but glowing steel and whispering elves in the first release of Hinterzimmer Records. Label founders Reto Mäder and Roger Ziegler have teamed up with turntable instrumentalist Christoph Hess (Strotter Inst.) and two other performers, to produce an album for advanced listening and darker dancefloors.
It feels like sitting in your favourite cafe and knowing the menu by heart but still enjoying familiar atmosphere and those sweet cakes. The label and the artist tell what to expect. Another strike from Strange Life Records featuring Smackos-like floating and spinning vintage synths with a certain concept, including