Until lately I didn’t have a clue about the Irish label Xerophkz and its founder Conan O’Donnell. Exactly up to the moment I discovered his latest EP with bold references to the 313 area, in a record that genuinely deserves attention of Detroit heads. A new offering from the Dublin resident
Nachtzug – Unspoken (Vortex Traks VTX 005 – 2017) Nachtzug’s five interpretations on the theme “Unspoken” are in line with the blueprint sound of Vortex Traks, when the German duo offers lulling midsummer electro with melodic pads and smooth synth sequences. “Unspoken 3” sounds so eighties, inviting to a sunset
Enfant Terrible offshoot Gooiland Elektro comes with sweeping cuts between distorted techno and acid, from four artists who like it raw. Out since April this year, “Unruhe” is a loud compilation that begins with “Endzone” from Zarkoff, a Croatian artist whose machine escapades are reaching Ekman’s levels. Thereafter Roberto Auser,
Ancient Methods – The Asking Breath Comes To Each (Candela Rising CAN008 – 2017) (Guest) vocals in a sampled form are not so uncommon in Ancient Methods releases, if to recall tracks under the Room 506 moniker and for Metaphysik. In the debut for Candela Rising, four acts are contributing
The sixth release on Greek label Vanila offers a hefty dose of wild rituals from Morah’s distorted mind. With sluggish but hammering percussion, Greek madman delivers a rhythmic noise masterclass with plenty of obscured vocal samples. Unless you are in favour of ultra-slow versions, the vinyl has to be played
Saint Abdullah, a project by two US-Iranian brothers, was introduced to the world with the track “Mossadegh’s Revenge For 52” on Boomarm Nation’s spectacular “Family Album 2017”, a digital compilation from the experimental side of dub and world music. Prior to that, the duo had promised intense cross-cultural experience with some
DJ T-1000 – The Polymath EP (Third Ear – 2017) A strong reminder from Alan Oldham that he is not only an illustrator much in demand for sleeve designs, but a techno producer of experience. Already in the nineties, his Generator Records stood for Detroit’s rougher sound, with an impressive roster.