In 2021, the first edition of “Next Wave Acid Punx” came out. Published by Eskimo Recordings, which is the dance department of N.E.W.S., the US-born artist Curses from Berlin presented dozens of tracks from the synth/EBM archives and exclusives from our days. Similarly, the ‘part deux’ follows its trails, asRead More →

“Waves Of Silent Whispers” is Lauri-Dag Tüür’s second ambient and IDM album, after “Polar Night Jet” in 2020. The new one landed in my inbox already in June 2022. Though not forgotten, it spent most of the year underneath the ever-increasing pile of unfinished business. Instead of white nights inRead More →

**** Konerytmi – Muotiviesti (Eudemonia 012 – 2022) For a change, prolific electro artist Konerytmi gets dressed in disco outfits and animates the crowd with nonchalant synth-pop on the A-side. After hanging out with neon-clad soccer moms (“Turun Palloseura”), “Ikuisesti Nuori” seeks eighties sweetness with a bubbling 808 and “Uimaranta”Read More →

My first contact with I-Robots was a compilation with 1980’s italo smashes like “Spacer Woman”, “Penguin’s Invasion” and others, which well substituted  a painstakingly expensive mission of acquiring the originals on wax. Behind I-Robots and Opilec Music is the Italian Gianluca Pandullo whose mission is to unite sounds from differentRead More →

Although partying and club going was very limited in 2020, there were several tracks that would have worked on the floor or were just neat tunes for humming along. Distinctive in hindsight, to be remembered in a blind test in a few years time and ‘catchy’ in a good sense.Read More →

Further Reductions is a lovely outfit from Brooklyn, NYC that is welcomed back on the Dutch label Knekelhuis with deviant house hypnosis from the duo’s members Shawn O’Sullivan and Katie Rose. O’Sullivan, a versatile electronics trooper with equal interest in Planet Core oldies and cold wave, is engaged in swayingRead More →

Dutch synth anarchists Staatseinde are appearing on the label Lo Phi Forms that this year launched with “Danger EP”, an aptly titled slab of acid frenzy from Klankman. With this promising notion, the three-man group has invited a choir of fairies to jointly introduce the release with Wagnerian intro “Staatsanthem”Read More →

Billy Ray de la Haye, a studio artist with sketchy public CV, comes allegedly from Rotterdam and not from The Hague that was my initial guess, because of ‘la Haye’ of course. By sound, he could be unmistakingly located in the Dutch west coast, when disco riffs and vocoded lyricsRead More →