The foundations of the Techno Sound of Rome were laid by ACV Records that played an essential role in the first half of the 1990s. The label saw a number of international producers and DJs emerging, Leo Anibaldi being one of the main players along with Robert Armani, Paolo Zerletti, Riccardo Rocchi,Read More →
The second part of Terminal 313’s musical alphabet, to sum up the year 2015. Many of the entries have been covered in the blog posts and some of the mentions are about my long-time favourites who had a strong year. Murder Capital. Cult electro label from the Hague, nowadaysRead More →
Although young Bremen-based artist Qnete missed the train to the “Grey City”, a showcase of local electronic and experimental artists on ZCKR Records, his redemption comes in great manner with the one-sided single “Grey City Anthem” on the same label. A producer acclaimed for the releases on his co-owned Drowned RecordsRead More →
This is Terminal 313’s musical alphabet to sum up the year 2015. Many of the entries have been covered in the blog posts and some of the mentions are about my long-time favourites who had a strong year. PART ONE: FROM A TO L Ancient Methods. The year of industrial techno’s genre-definingRead More →
After two years of relative silence in the solo front, Giorgio Gigli has completed the debut album that can be seen as an attempt to challenge the stereotypes. In stark contrast with Gigli’s former droning and noisy floor tracks, the triple vinyl “The Right Place Where Not To Be” is focusedRead More →
And here we have “Human Resource Exploitation Manual”, which is not a classified folder from the depths of HR department, but actually the fourth EP of the enigmatic electro act Privacy. After “Command Pattern EP” on Klasse Wrecks, Privacy has decided to satisfy the mankind’s need for further electro shocks, when visiting on Lobster Theremin,Read More →
Gesloten Cirkel’s double strike on Murder Capital is a much-awaited move after the artist’s electrifying album “Submit X” last year. Two heavy pieces of ‘untitled’ vinyl, again appearing on the same Viewlexx offshoot, contain six floor-shakers signed by Ratsnake the man. Both twelves reflect the producer’s proper homework in dance music history, which serves asRead More →
Out of nowhere comes Klanken – the first artist on the newly founded Belgian label Deewee, which is set up in Ghent by David and Stephen Dewaele, both so far known as 2 Many DJ’s or Soulwax. The first thing to say is that Klanken should not be mixed up with theRead More →
After strong comeback numbers on Forbidden Planet and Skudge, Kimmo Rapatti aka Mono Junk decided to blow off the dust from Dum Records, his 1990s cult label that had been hibernating since 2007. The Finnish imprint returns with “Maximal Fun EP” by Coopers, in its original 1994 composition, Rapatti himselfRead More →
Found among old papers, DATA was a techno/rave newsletter published in Tampere (FI) in 1992. The first page told what’s happening inside the brain of Mr Kirk, a techno DJ and party promoter who listed current top singles and LPs. It also announced “From The Edge Of Nowhere”, a Finnish techno compilation,Read More →