Out of nowhere comes Klanken – the first artist on the newly founded Belgian label Deewee, which is set up in Ghent by David and Stephen Dewaele, both so far known as 2 Many DJ’s or Soulwax. The first thing to say is that Klanken should not be mixed up with theRead More →
Artur Lääts was one of the DJs at the launch party of Mürk (Poison), a series of techno nights in Tallinn. That moment, he and Mürk’s promotor Hugo Murutar hardly thought, maybe only dreamed, about conceiving a self-titled record label. But after running a kickstarter campaign, Mürk Records became realityRead More →
Yambo, the main character in Umberto Eco’s novel “The Mysterious Flame of Queen Loana”, returns to the childhood home for a memory recovery. For getting cured, he is browsing childhood memorabilia – books, magazines, vinyl records, thus delving into the popular culture from the beginning of the 1930s. Leaving aside the memoryRead More →
ZCKR Records is an independent label from Bremen, a city in Northern Germany and the smallest Bundesland. Historically, Bremen is known for its fairy-tale Town Musicians, four animals who formed a band and scared off a thief with dissonant, shrill improvisations. No need to be afraid of ZCKR, although the label and itsRead More →
Noiztank’s inaugural repertoire promised a new addition to the saturated market of industrial techno. The armoured outfit from Vienna launched the robust factory noise offensive with two releases by the label’s co-founder Zosima. After the EPs “Tears Of Black Powder” and “A Lady From Siberia”, the latter featuring a remix by Kareem, Noiztank continues with abrasiveRead More →
After strong comeback numbers on Forbidden Planet and Skudge, Kimmo Rapatti aka Mono Junk decided to blow off the dust from Dum Records, his 1990s cult label that had been hibernating since 2007. The Finnish imprint returns with “Maximal Fun EP” by Coopers, in its original 1994 composition, Rapatti himselfRead More →
Dubstep and bass music has not caught much of my attention. Perhaps I missed the first wave of innovative productions and didn’t find excitement in later releases, when the genre moved closer to dance music’s mainstream. However, my ignorance has neither been deliberate nor total because since Goth-Trad EP, I’m having a crushRead More →
For a dance track, the length is usually an asset and this notion has been valued since historical creations like “Acid Tracks” or “French Kiss”, both spread over ten minutes. Now Dungeon Acid suggests that 12 minutes of your precious life could be spent in the company of compelling Point Chaud remix of “The Move”,Read More →
After the self-titled debut album in 2009, Juju & Jordash have stayed close to Dekmantel, a label in their chosen home Netherlands, where the Isreali-born producers also issued the next two longplayers, “Techno Primitivism” and “Clean-Cut”. “Down To The Roach” is their new tool for the club use and it triggers many flashbacks. ToRead More →
We can’t speak of the ‘fuck’ shortage in the music around us, as there are about 50,000 related hits in Discogs. Although the word itself is not enough for rebellion, the artists feel often tempted to see ‘fuck’ as a way to self-expression, which has led to a number of tracks balancing betweenRead More →