Rating: 9/10 Boomkat continues the 14 Tracks series with a digital bundle that could easily be the compilation of the year, especially for those who value venturous electronic sounds. I hardly buy any digital releases but seeing a number of exciting artists here, I did not hesitate a moment. TheRead More →
Rating 7/10 The music for trees that die standing tall. From the darkest corners of ambient comes utterly minimalistic drone that does not have much motion or emotion. Cold embrace of “Angel Of Death” makes clear that the playwright has decided to let gloomy frequencies play with abstract noises. InRead More →
The music on this record, issued in January this year, is like a fata morgana. You see something hovering in the air, then get closer, but the only thing you can touch is emptiness. You think you can get it easily, but no. This is the true style of Madteo:Read More →
The website of now defunct Lux Nigra featured jolly commercial spots from Japan and the label in general seemed to be addicted to the country of the Rising Sun. For Karl-Marx-Stadt as such the sun has gone down because the city in the Eastern part of Germany is called ChemnitzRead More →
No cheese and chocolate from Switzerland but glowing steel and whispering elves in the first release of Hinterzimmer Records. Label founders Reto Mäder and Roger Ziegler have teamed up with turntable instrumentalist Christoph Hess (Strotter Inst.) and two other performers, to produce an album for advanced listening and darker dancefloors.Read More →
Ed DMX rocked the Tallinn Art Academy in May 2002 with a blazing live set, along with Cylob who among other tracks manipulated the masses with his techno-electro version of “What Shall We Do With A Drunken Sailor?”. Now on Legowelt’s Strange Life label DMX Krew gives daylight to aRead More →
Back off, keep off – this bunch has to be isolated from the society because it’s not music. It’s terror. And it’s error. V/Vm is like 100-watt light bulb that attracts all kinds of weird insects. Purgatorian parasites and bugs gone berserk crash your ear canals and paint their graffitisRead More →
Anatoli Alexandrovich, whoever he is, made this album in 2002. A musical insight into the more or less glorious days of the Russia’s history, painted with minimal and noise-influenced experimental compositions and spiced with sound fragments like worshipping of Stalin in Finnish-language, Karelian folk song and clinking of swords. “Спутник”Read More →