For Underground Resistance it has become customary to issue a white label and sell it via Submerge Mailorder well before the official release hits the crates. It’s the same story with “Medicated Psychosis”, a new EP by Marc W. Floyd aka Agent Chaos. UR-053 is about genuine Motor City funk with attitude,Read More →

And here we have “Human Resource Exploitation Manual”, which is not a classified folder from the depths of HR department, but actually the fourth EP of the enigmatic electro act Privacy. After “Command Pattern EP” on Klasse Wrecks, Privacy has decided to satisfy the mankind’s need for further electro shocks, when visiting on Lobster Theremin,Read More →

Gesloten Cirkel’s double strike on Murder Capital is a much-awaited move after the artist’s electrifying album “Submit X” last year. Two heavy pieces of ‘untitled’ vinyl, again appearing on the same Viewlexx offshoot, contain six floor-shakers signed by Ratsnake the man. Both twelves reflect the producer’s proper homework in dance music history, which serves asRead More →

Yambo, the main character in Umberto Eco’s novel “The Mysterious Flame of Queen Loana”, returns to the childhood home for a memory recovery. For getting cured, he is browsing childhood memorabilia – books, magazines, vinyl records, thus delving into the popular culture from the beginning of the 1930s. Leaving aside the memoryRead More →

ZCKR Records is an independent label from Bremen, a city in Northern Germany and the smallest Bundesland. Historically, Bremen is known for its fairy-tale Town Musicians, four animals who formed a band and scared off a thief with dissonant, shrill improvisations. No need to be afraid of ZCKR, although the label and itsRead More →

Noiztank’s inaugural repertoire promised a new addition to the saturated market of industrial techno. The armoured outfit from Vienna launched the robust factory noise offensive with two releases by the label’s co-founder Zosima. After the EPs “Tears Of Black Powder” and “A Lady From Siberia”, the latter featuring a remix by Kareem, Noiztank continues with abrasiveRead More →

Dubstep and bass music has not caught much of my attention. Perhaps I missed the first wave of innovative productions and didn’t find excitement in later releases, when the genre moved closer to dance music’s mainstream. However, my ignorance has neither been deliberate nor total because since Goth-Trad EP, I’m having a crushRead More →