New Cylob creates some random associations. In 2002, the UK artist was DJing at the Estonian Academy of Arts in Tallinn, offering a blazing set where Cylob’s own version of “What Shall We Do With A Drunken Sailor?” was a highlight. He shared the night with the Rephlex teammate Ed DMX, whose palmares include the kick drum slaughterRead More →

The signals are loud and evident, when Ultradyne transmit on the assigned frequency from their interstellar refugium. Looking back to two decades in action – their tale started in 1995 with “E Coli EP” on Warp – the enigmatic producers from Detroit keep cruising in the extreme end of theRead More →

This time, Detroit electro craftsman Sherard Ingram aka DJ Stingray 313 is reporting from Athens, Greece, having docked at the up-and-coming label Lower Parts. A trusted evangelist of immersive electro, Stingray puts up a convincing appearance across four tracks of the “Cognition EP”. Those familiar with Ingram’s productions, know his affectionRead More →

For Viewlexx, a trusted offshoot of I-F’s empire, 2015 marks the 20th year in the business. The journey that once began with “Portrait Of A Dead Girl 1”, continues with DJ Overdose’s “Master Control”, a new EP by the master of robust electro funk. However, the opener deviates from the familiar line, when catchy italo hommageRead More →

Already Dez Williams EP with remixes by Bintus and Ekman indicated serious ambitionst of Bedouin Records, a label based in the United Arab Emirates. The next alert comes from Ekman, conducting corrosive experiments in a gritty five-tracker expected in February. The Dutch electro acid producer had an exceptional year 2014 and “Gödelian Argument”, the most septic offering inRead More →

Deep respect is due when encountering the works of late James Stinson, an acclaimed personality in the evolution of (Detroit) electro. Abandoning our world far too early, Stinson left behind a vast legacy, of which Tresor Records reopens another chapter. “The Opening Of The Cerebral Gate” under the Transllusion guiseRead More →

Scottish two-man techno act Clouds has found an inspiring haven in Canada when they have released the debut album and four EPs, including two takes of “Tannhauser Acid Works”, on the Montreal-based Turbo Recordings. Now Calum Macleod and Liam Robertson are ready for another round, this time as curators ofRead More →